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"Porpoise Song" is a song written by Gerry Goffin and Carole King and performed by the Monkees as the theme song for their 1968 film Head and its accompanying soundtrack album. [4] The single version contains an extended instrumental outro not included on the album version or in either of the song's appearances in Head .
"Monkey Man" is a 1969 song by the ska and reggae group Toots & the Maytals which reached number 47 on the UK Singles Chart. [1] The song is about a girl choosing another man over Toots. [2] Toots & the Maytals re-recorded the song on True Love with third wave ska band No Doubt.
"Mickey's Monkey" is a 1963 song recorded by the R&B group the Miracles on Motown Records' Tamla label. It was written and produced by Motown's main songwriting team of Brian Holland, Lamont Dozier, and Eddie Holland, who later went on to write two more Miracles hit singles, the Top 40 "I Gotta Dance to Keep From Crying", and the Top 20 "(Come 'Round Here) I'm The One You Need".
We'll cover exactly how to play Strands, hints for today's spangram and all of the answers for Strands #287 on Sunday, December 15. Related: 16 Games Like Wordle To Give You Your Word Game Fix ...
Get ready for all of today's NYT 'Connections’ hints and answers for #552 on Saturday, December 14, 2024. Today's NYT Connections puzzle for Saturday, December 14, 2024 The New York Times
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
OK, that's it for hints—I don't want to totally give it away before revealing the answer! Related: 16 Games Like Wordle To Give You Your Word Game Fix More Than Once Every 24 Hours
"Monkey Wrench" is an up-tempo rock song, written in the key of B major in 4/4 time signature with a tempo of 174 bpm. It is performed with distorted guitars in Drop-D tuning. The song opens with a four bar phrase of a descending guitar line over a chordal riff of B5/F#5/E5 repeated twice.