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The amplifiers were naturally given traditional Fender model names, the earliest including 'Dual Showman', 'Twin Reverb', and 'Bassman'. Other products in the line were the 'Solid-State Reverb Unit' and the 'Solid-State Public-Address System'. 'Super Reverb', 'Pro Reverb', 'Vibrolux Reverb' and 'Deluxe Reverb' amplifiers followed in 1967.
The 1×12 Deluxe-Amp, the 1×15 Pro-Amp and the 3×10 Bandmaster are exceptional in dynamics and tone. Like its predecessors, the narrow panel tweed Fender amplifiers used Jensen Alnico V Concert Series Speakers, for the most part. By the end of the decade, a JBL 15" speaker was available on special order for the Pro model.
Fender Bronco [10] (Lives on through Squier as a bass guitar) Fender Bullet [11] (lives on through Squier) Fender Coronado [12] Fender Cyclone (lives on through Squier) Fender Esquire; Fender HM Strat USA/Japan; Fender Marauder; Fender Musicmaster; Fender Performer; Fender Prodigy [13] Fender Showmaster; Fender Starcaster [14] (lives on through ...
The Fender Super Reverb is a guitar amplifier made by Fender. It was originally introduced in 1963 and was discontinued in 1982. The Super Reverb was a Fender Super amplifier with built-in reverb and "vibrato" (actually tremolo). The original Super Reverb amplifiers were all-tube designs and featured spring reverb.
Pages in category "Fender amplifiers" The following 22 pages are in this category, out of 22 total. ... Fender Princeton Reverb; S. Fender Super; Fender Super Reverb ...
The amplifier's circuit was changed in 1955 (until then it was identical to the Fender Pro, except for the speaker configuration) when the 6L6 tubes were exchanged for 6V6 tubes; the 1958 5F4 model was again equipped with 6L6 tubes, so its circuitry was again almost identical to that of the Pro (5E5-A model) and the Bandmaster (5E7 model).
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Fender introduced the amplifier with a 5U4GB rectifier tube rather than the diode rectifier found in the previous Blackface Bandmaster. This resulted in the Bandmaster Reverb having reduced power over the standard model and increased sag and power amp break up. The revised circuit also places the gain stage within the reverb recovery circuit ...
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