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While the manga is full of references to Saint Seiya, the story is based on the same known schemes and the characters are too similar to the protagonists of the original series. [49] The critic writing for Manga-News also notes that the exchanges between Saints and Titans can become repetitive. [50]
French director Louis Leterrier has cited Kurumada and his manga Saint Seiya having a great impact on him since his youth. [3] In 2010, Masami Kurumada was contacted by Warner Brothers to collaborate in a project for Leterrier's mythologically themed motion picture Clash of the Titans, remake of the original 1981 film. Kurumada authored ...
A poster from Champion Red showing the Gold Saints as they appear in Episode.G. The Saint Seiya Episode.G manga features a large number of fictional characters, both created by its author, Megumu Okada, and by Masami Kurumada, author of the original Saint Seiya universe in which the story takes place.
Kurumada originally planned to create a manga about wrestling, as he enjoyed writing about individual sports rather than collective sports. [2] He was initially inspired by The Karate Kid (1984) to create a story about Seiya, a young karateka who is found by a karate master and his female assistant; however, his publishing department did not approve the idea. [3]
Yu Shi, who plays Ji Fa, was not a trained actor, and participated in the training and shooting of the “Creation of the Gods I: Kingdom of Storms” is the beginning for Yu Shi as an actor. In the cast, he received comprehensive training in performance, equestrian, movement, etiquette, drum music, cultural history, etc.
The children ask for Ryoma's help to clean the church and while helping them with the task, he has a short meeting with the god Fernobelia, who asks some questions to evaluate his behavior, claiming some reincarnated people tend to misuse their powers and it is the gods' duty to prevent it. Satisfied with Ryoma's answers, he sends him back.
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Illustrations of Fengshen Yanyi from an edition of the novel featuring commentary by Zhong Xing (1574-1625) (book one). The Investiture of the Gods, also known as Fengshen Yanyi (Chinese: 封神演義; pinyin: Fēngshén Yǎnyì), is a 16th-century Chinese novel and one of the major vernacular Chinese works in the gods and demons (shenmo) genre written during the Ming dynasty (1368–1644).
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