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Responsorial psalmody primarily refers to the placement and use of the Psalm within the readings at a Christian service of the Eucharist. The Psalm chosen in such a context is often called the responsorial psalm. They are found in the liturgies of several Christian denominations, including those of Roman Catholicism, Lutheranism and Anglicanism.
Gelineau psalmody is a method of singing the Psalms that was developed in France by Catholic Jesuit priest Joseph Gelineau around 1953, with English translations appearing some ten years later. [1] Its chief distinctives are:
The most general definition of a responsory is any psalm, canticle, or other sacred musical work sung responsorially, that is, with a cantor or small group singing verses while the whole choir or congregation respond with a refrain. However, this article focuses on those chants of the western Christian tradition that have traditionally been ...
The barefoot and bohemian-style wedding was attended by 100 friends and family members, who witnessed the couple rap their vows and make a wedding music video. "Music has played such a powerful ...
The revision of music in the liturgy took place in March 1967, with the passage of Musicam Sacram ("Instruction on music in the liturgy"). In paragraph 46 of this document, it states that music could be played during the sacred liturgy on "instruments characteristic of a particular people." Previously the pipe organ was used for accompaniment.
The antiphons of most Introits are taken from Psalms, though many come from other parts of Scripture.In some rare cases the antiphon is not from Scripture: "Salve, sancta parens", from the Christian poet Sedulius, who was imitating a line from book V of Virgil's Aeneid, is the antiphon used in the Tridentine form of the Roman Rite for common Masses of the Blessed Virgin Mary; the 1970 revision ...
The text is a passage from Psalm 115, assuring of God's blessing, especially for children. Scholars have suggested the work may have been written for the wedding of Johann Lorenz Stauber, the minister in Dornheim who had married Bach and his first wife there in 1707, and Regina Wedemann, an aunt of Bach's wife, on 5 June 1708.
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