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Curtain in hemp and cotton with tsutsugaki dip-dyed in indigo and brushed sumi ink.Meiji period, Honolulu Museum of Art. Tsutsugaki (筒描) is a Japanese technique of resist dyeing that involves drawing rice-paste designs on cloth, dyeing the cloth, and then washing off the paste.
Nishijin-ori fukuro obi showing a woven scene with aristocrats Detail of Nō robe from Nishijin, silk with gilded paper, Edo period. Nishijin-ori (西陣織, lit. ' Nishijin fabric ') is a traditional textile produced in the Nishijin (西陣) district of Kamigyō-ku in Kyoto, Japan.
Nishijin (西陣) is a district in Kyoto spanning from Kamigyō ward to Kita ward. Though it is well known as a district, there is no administractive area called "Nishijin". [ 1 ] Nishijin is notable for its textile production, and is the birthplace of nishijin-ori , a high-quality, well-known silk brocade fabric, woven with colourful silk yarn ...
Traditional and timeless, toile (which is the French word for cloth and often depicts animals, pastoral scenes, and the like) is a Southern designer favorite.Whether you're looking to add some ...
The collector Donald Gerber distinguishes three schools of Japanese cloisonné and places Namikawa at the head of the Kyoto, or naturalistic, school. [2] He invented the first transparent black glaze, which led to the development of other transparent enamels. [11] He used intricate wire work and is known for attention to detail. [3]
Rōketsuzome printing wheels at Roketsuzome Yamamoto, Kyoto. Rōketsuzome (Japanese: 蝋纈染め) sometimes shortened to rōzome (ろう染め), is a traditional wax-resist textile dyeing technique in Japan , akin to Indonesian batik .
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