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First painting (F617), late June 1889, Kröller-Müller Museum, Otterlo, Netherlands [1] Reaper (French: faucheur, lit. 'reaper'), Wheat Field with Reaper, or Wheat Field with Reaper and Sun is the title given to each of a series of three oil-on-canvas paintings by Vincent van Gogh of a man reaping a wheat field under a bright early-morning sun.
Here Van Gogh depicts a reaper in a sun-drenched wheat field. Referring to a Biblical metaphor, Van Gogh wrote of the meaning of this painting, "In this reaper – a vague figure laboring like the devil in the terrible heat to finish his task – I saw an image of death, in the sense that the wheat being reaped represented mankind...
The Van Gogh Museum's Wheatfield with Crows was made in July 1890, in the last weeks of Van Gogh's life, many have claimed it was his last work. Others have claimed Tree Roots was his last painting. Wheatfield with Crows , made on an elongated canvas, depicts a dramatic cloudy sky filled with crows over a wheat field.
Van Gogh had made a Size 30 version of The Reaper (also known as Wheat Field with Reaper and Sun, F617) in June 1889, which is now held by the Kröller-Müller Museum in Otterlo. He also made two similar versions of The Reaper in September and October 1889: a second Size 30 version (F618) is held by the Van Gogh Museum , and a smaller Size 20 ...
All paintings are figuring in the article. A series of 16 paintings from the renowned Dutch painter, van Gogh. Van Gogh's brushstrokes in staccato are especially suited to depict the straws of the wheat field, giving them a special look and life.... Articles in which this image appears Wheat Fields (Van Gogh series) FP category for this image
Van Gogh self-portrait from 1889, by Vincent van Gogh. The Little Street, by Johannes Vermeer. ... Wheat Field with Reaper at Wheat Fields, by Vincent van Gogh.
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Van Gogh saw plowing, sowing and harvesting symbolic to man's efforts to overwhelm the cycles of nature: "the sower and the wheat sheaf stood for eternity, and the reaper and his scythe for irrevocable death." The dark hours conducive to germination and regeneration are depicted in The Sower and wheat fields at sunset. [3]