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Stalin proceeded to use it to promote Communism throughout the world for the benefit of the USSR. [119] When this topic was a difficulty dealing with the Allies in World War II, Comintern was dissolved. [118] Similarly, "The Internationale" was dropped as the national anthem in favor of the "Hymn of the Soviet Union". [120]
Gullace, Nicoletta F. "Allied Propaganda and World War I: Interwar Legacies, Media Studies, and the Politics of War Guilt" History Compass (Sept 2011) 9#9 pp 686–700 Gullace, Nicoletta F. "Sexual violence and family honor: British propaganda and international law during the First World War," American Historical Review (1997) 102#3 714–747.
British propaganda during the First World War set a new benchmark that inspired the fascist and socialist regimes during the Second World War and the Cold War [citation needed]; Marshal Paul von Hindenburg stated, "This English propaganda was a new weapon, or rather a weapon which had never been employed on such a scale and so ruthlessly in the past."
Propaganda was a key component of the culture of World War I. It was often shown through state-controlled media, and helped to bolster nationalism and patriotism within countries. On the Eastern Front, propaganda took many forms such as opera, film, spy fiction, theater, spectacle, war novels and graphic art.
Ion Mihai Pacepa, former senior official from the Romanian secret police, said the word was coined by Joseph Stalin and used during World War II. [1] [5] The Stalinist government then used disinformation tactics in both World War II and the Cold War. [10]
In a twist of history, Harry Dexter White would participate in the Bretton Woods Conference, which created the American-led, post-war financial and economic order. [36] Although White was sympathetic to the Soviet Union, he was still capitalist in his economic thinking, and there was only so much he could do to benefit the Soviet Union at a ...
Pork Chop Hill (1959) was the most notable 1950s American anti-war propaganda piece about the Korean war. Milestone was known for his previous anti-war films, including 1930's All Quiet on the Western Front and Shangganling (The Battle of Sangkumryung Ridge or Triangle Hill; 1956), which was the most influential film on the Chinese in that era.
This propaganda stood in sharp contradiction with the anti-religious propaganda that had been produced in the 1920s that blamed the church for preaching unqualified patriotism in World War I. To a lesser degree, it also differed from the criticism of Christians who had fought for Russia in World War I but who would not take up arms for the USSR.