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"Waltz for Debby" is a jazz standard composed by pianist Bill Evans, which became "his most famous tune." [1] He first recorded it as a brief solo piano piece on his debut album, New Jazz Conceptions (1956). Lyrics were added about six years later by Evans's friend Gene Lees. [2] "Debby" in the composition's title refers to Evans's then 3-year ...
Waltz for Debby is a live album by jazz pianist and composer Bill Evans and his trio consisting of Evans, bassist Scott LaFaro, and drummer Paul Motian. It was released in 1962. It was released in 1962.
The Swedish version of 'Waltz for Debby' is a true delight because Zetterlund's voice becomes another instrument, soloing over the top of Evans' stunning selection of comping chords. In all this is an odd but special item, one that is necessary—for at least one listen—by any serious fan of the pianist and composer." [3]
Waltz for Debby: 1953 (appr.) 1956: New Jazz Conceptions: Written for his then recently born niece; lyrics later added by Gene Lees: Waltz in E ♭ 1965–67 (appr.) – – Posthumous We Will Meet Again: 1977: You Must Believe in Spring: For his brother Harry; lyrics by Bill Evans (heard in recordings by others such as Tierney Sutton) Yet Ne ...
Waltz for Debby is the name of: "Waltz for Debby" (song), a 1956 jazz composition by Bill Evans later made into a song; Waltz for Debby, album by Bill Evans; Waltz for Debby, album by Monica Zetterlund and Bill Evans
Evans played three extremely brief solos: Duke Ellington's "I Got It Bad and That Ain't Good," Richard Rodgers's "My Romance," which would remain an integral part of Evans's repertoire and be recorded by him many times in trio settings, and the original version of his own most widely recognized and recorded composition, "Waltz for Debby." [4]
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This album also includes several notable jazz standards, a short interpretation of Lewis's piece "Venice" from the soundtrack to the film No Sun in Venice, the second recording ever made of what would become Evans's most famous composition, "Waltz for Debby," and a new Evans original, the title track, which producer Orrin Keepnews "christened ...
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