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The Sacrifice of Isaac is the title of two paintings from c. 1598 - 1603 depicting the sacrifice of Isaac.The paintings could be painted by the Italian master Caravaggio (1571–1610) but there is also strong evidence that they may have been the work of Bartolomeo Cavarozzi, a talented early member of the Caravaggio following who is known to have been in Spain about 1617–1619.
This painting shows Abraham with a knife in his hand raised to kill his son Isaac at the moment that the angel intervenes. Bencovich became court painter of the Archbishop-Elector of Mainz Lothar Franz von Schönborn in 1715 and completed four large canvas masterpieces for his gallery in Schloss Weißenstein.
Abraham and Isaac, also known as the Sacrifice of Isaac (Italian: Sacrificio di Isacco), is an oil painting by the Venetian painter Titian. It was made in about 1543–1544 for the church of Santo Spirito , but is now in the basilica of Santa Maria della Salute .
On that reading, in the original E version of the binding Abraham disobeys God's command, sacrificing the ram "instead of his son" (v. 13) on his own responsibility and without being stopped by an angel: "And Abraham stretched forth his hand, and took the knife to slay his son; but Abraham lifted up his eyes and looked and beheld, behind him ...
Pages in category "Paintings of Abraham" The following 10 pages are in this category, out of 10 total. This list may not reflect recent changes. A.
The Angel Preventing Abraham from Sacrificing his Son, Isaac: 1635: Red chalk over black chalk, with grey wash, on paper prepared with light brown wash: 19.5 x 14.7 cm: British Museum, London: Regarded as a preparatory drawing for the painting W136 : The Last Supper, after Leonardo da Vinci: c. 1635: Red chalk, heightened with white, on paper ...
The work of art itself is in the public domain for the following reason: Public domain Public domain false false The author died in 1930, so this work is in the public domain in its country of origin and other countries and areas where the copyright term is the author's life plus 80 years or fewer .
Repin began working on the painting in Moscow. [1] A first overall sketch, with the character of the Tsar turned to his right, dates from 1882. The idea of the painting, according to Repin, is linked to his confrontation with the themes of violence, revenge and blood during the political events of 1881; additional sources of inspiration were the music of Nikolai Rimsky-Korsakov and the ...