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The Three Trees is a 1643 print in etching and drypoint by Rembrandt, his largest landscape print. It was assigned the number B.212 by Adam von Bartsch and impressions of the work are in the Rijksmuseum, the Musée des beaux-arts du Canada and the Bibliothèque nationale de France. [1] [2]
The Three Trees: 1643 B220: 1: The shepherd and his family: 1644 B057: 4: The rest on the flight: a night piece: About 1644 B189: 1: The sleeping herdsman: About 1644 B034: 1: Abraham and Isaac: 1645 B058: 1: The rest on the flight: lightly etched: 1645 B096: 1: St. Peter in penitence: 1645 B208: 3 ‘Six’s bridge’ 1645 B209: 2: The Omval ...
The Mill (1641, etching) The Three Trees (1643, etching and drypoint) “La Campagne du peseur d'or” (1651, etching and drypoint) Nature morte, free subjects and nudes. The Seashell (1650, etching, drypoint and burin on paper), Rembrandt's only still life. The Draftsman and his Model (unfinished, ca. 1639, etching, drypoint, and burin)
The Hundred Guilder Print (c. 1647–49), an etching now housed in the National Museum of Western Art in Tokyo The Three Trees (1643) The Shell (a cone snail) is the only known still life Rembrandt ever etched.
An etching created by Rembrandt more than 350 years ago has been deemed to be too explicit for open viewing by international auction house Christie’s. “The French Bed,” drawn by the Dutch ...
The drawing is related to the etching B162 : Self-portrait with Open Mouth: c. 1628-1629: Pen and brown ink with grey wash; ruled framing lines in the same brown ink: 12.7 x 9.5 cm: British Museum, London: The drawing is related to the etching B013 : Self-portrait: c. 1629: Pen: 12.7 x 9.4 cm: Rijksmuseum Amsterdam: The drawing is related to ...
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