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The Three Trees is a 1643 print in etching and drypoint by Rembrandt, his largest landscape print. It was assigned the number B.212 by Adam von Bartsch and impressions of the work are in the Rijksmuseum, the Musée des beaux-arts du Canada and the Bibliothèque nationale de France. [1] [2]
The Mill (1641, etching) The Three Trees (1643, etching and drypoint) “La Campagne du peseur d'or” (1651, etching and drypoint) Nature morte, free subjects and nudes. The Seashell (1650, etching, drypoint and burin on paper), Rembrandt's only still life. The Draftsman and his Model (unfinished, ca. 1639, etching, drypoint, and burin)
Landscape with trees, farm buildings and a tower: About 1651 B041: 3: David in prayer: 1652 B065: 3: Christ disputing with the doctors: a sketch: 1652 B222: 2: Clump of trees with a vista: 1652 B224: 2: Landscape with a hay barn and a flock of sheep: 1652 B046: 8: The adoration of the shepherds: a night piece: About 1652 B067: 1: Christ ...
The show highlights Rembrandt's mastery of etching and his innovative techniques which revolutionized the etching process through his experiments with different methods, such as the heavy use of ...
Rembrandt bought a printing-press for his house in the days of his early prosperity, and continued to produce etchings (always so called collectively, although Rembrandt mixed techniques by adding engraving and drypoint to some of his etchings) until his bankruptcy, when he lost both house and press. Fortunately his prints have always been ...
It is estimated Rembrandt produced a total of about three hundred paintings, three hundred etchings, and two thousand drawings. Unlike most Dutch painters of the 17th century, Rembrandt's works depict a wide range of styles and subject matter, from portraits and self-portraits to landscapes, genre scenes , allegorical and historical scenes ...
The drawing is related to the etching B111 : Entrance of a Cottage: c. 1633?? Kunsthalle Hamburg: The drawing is related to the etching B090 : Self-portrait: c. 1633?? Musée des beaux-arts de Marseille: The drawing is related to the etching B017 : Landscape with Two Cottages: c. 1633: Silverpoint on prepared parchment: 8.2 x 13.3 cm: Museum ...
The Three Trees; Landscape; copied from Rembrandt's etching. An Old Man, half-length, with a Beard and Cap, 1765; after Rembrandt. The Entombment of Christ; two plates varied. An Old Man, half-length, with a large Beard, and his Hands in the Sleeve of his Robe. 1771. Landscape, with a Horse lying; after Rembrandt's print.