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The verses that generally constitute the modern version of the song are: [4] I've been working on the railroad All the live-long day. I've been working on the railroad Just to pass the time away. Can't you hear the whistle blowing, Rise up so early in the morn; Can't you hear the captain shouting, "Dinah, blow your horn!" Dinah, won't you blow,
This combined with the Avestan suffix -stān (cognate to Sanskrit "sthān", both meaning "place") [8] results in Hindustan, as the land on the other side (from Persia) of the Indus. Zindabad (may [idea, person, country] live forever) is a typical Urdu and Persian suffix that is placed after a person or a country name. It is used to express ...
Let me dilly-dally all the live-long day. I'm a Hoosier who's blue, thru and thru, and my heart is pining For the sycamore trees where the Wabash breezes play. What's more, I'm pining for a yellow moon that's shining On a little red barn on a farm down Indiana way. VERSE 2 Work was done 'way down in Indiana, Picked the eggs the chickens lay;
Graffiti of Inquilab Zindabad slogan from Bangladesh, drawn by the students after the July Revolution. Inquilab Zindabad (Urdu: اِنقلاب زِنده باد; Hindi: इंक़िलाब ज़िंदाबाद; Bengali: ইনকিলাব জিন্দাবাদ) is a South Asian phrase, [1] [2] [3] which translates to "Long live the revolution".
The lyrics are set to the tune of "I've Been Working on the Railroad". A comparison of the lyrics of that song and "The Eyes of Texas" shows the nature of the parody in the latter: I’ve Been Working on the Railroad. I’ve been working on the railroad, All the live-long day. I’ve been working on the railroad, Just to pass the time away.
Jai Hind (Hindi: जय् हिन्द्, IPA: [dʒəj ɦɪnd]) is a salutation and slogan that originally meant "Victory to Hindustan", [1] and in contemporary colloquial usage often means "Long live India" [2] or "Salute to India".
In 2019, Taylor Swift released the upbeat pop song “London Boy.” Five years later, she’s saying “so long” to the city with her new song “So Long London.”
The Livelong Day received a score of 94 out of 100 on review aggregator Metacritic based on five critics' reviews, indicating "universal acclaim". [2] Q called it a "frequently unsettling listen, but never a joyless one", with Uncut also describing it as "dark, powerful and disquieting stuff that resonates long after its final note has subsided".