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The Oriental riff and interpretations of it have been included as part of numerous musical works in Western music. Examples of its use include Poetic Tone Pictures (Poeticke nalady) (1889) by Antonin Dvořák, [6] "Limehouse Blues" by Carl Ambrose and his Orchestra (1935), "Kung Fu Fighting" by Carl Douglas (1974), "Japanese Boy" by Aneka (1981), [1] [4] The Vapors' "Turning Japanese" (1980 ...
A Pasi gong is a medium-size gong 12 to 15 inches (30 to 38 cm) in size, with a loud crashing sound. It is used traditionally to announce the start of a performance, play or magic. It is used traditionally to announce the start of a performance, play or magic.
Gong – two whistles facing in opposite directions on a common axis. [21] These were popular as factory whistles. Some were composed of three whistle chimes. Variable pitch whistle – a whistle containing an internal piston available for changing pitch. [22] This whistle type could be made to sound like a siren or to play a melody.
Finally, as the sound of the bell ebbs, the slowly decaying hum tone (an octave below the prime, see subharmonic) lingers on." [3] "When a bell is properly struck, the first note that prominently attracts the attention of the ear is what is known as the strike note, tap note, or fundamental, this is what we call the note of the bell. The low ...
The Gongman film logo sequence depicts a man striking a huge gong with a deep resonant sound. The gongs used in the sequence were props made of plaster or papier-mâché. The sound came from James Blades striking a real gong—specifically a Chinese instrument called a tam tam that was much smaller than the prop. During the sequence, the text ...
In the area where the gong is placed, a wax-lead mixture is applied to counteract the sound. The gongs are arranged from low to high. The gong can have a high and low sound, the volume must be adjusted using the lead under the gong. If the lead is less, the vibration is high, the sound is high, but if the lead is more, the sound is low.
Gong kebyar music is based on a five-tone scale called pelog selisir (tones 1, 2, 3, 5, and 6 of the 7-tone pelog scale), and is characterized by brilliant sounds, syncopations, sudden and gradual changes in sound colour, dynamics, tempo and articulation, and complex, complementary interlocking melodic and rhythmic patterns called kotekan.
Similarly, Gong recorded a completely different song titled "Selene" on the Angel's Egg album. Also, "Wet Cheese Delirium" is misspelled "Delirum", and "And You Tried So Hard" is shortened to "Tried So Hard" on some recent editions. The first and last tracks on each side of the original LP are short collages of sound effects.