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The gayageum or kayagum (Korean: 가야금; Hanja: 伽倻琴) is a traditional Korean musical instrument. It is a plucked zither with 12 strings, though some more recent variants have 18, 21 or 25 strings. It is probably the best known traditional Korean musical instrument. [1]
Seul (슬; 瑟) – A long zither with 25 strings, derived from the Chinese se; used today only in Munmyo jeryeak (Korean Confucian ritual music) photo; Geum (금; 琴) – A 7-stringed zither, derived from the Chinese guqin; also called chilheyongeum; used today only in Munmyo jeryeak (Korean Confucian ritual music) photo
The instrument is played in traditional Korean court music and the folk styles of sanjo and sinawi. [ 7 ] Due to its characteristically percussive sound and vigorous playing technique it is thought of as a more "masculine" instrument than the 12-string or 24 string gayageum (another Korean zither); both instruments, however, are played by both ...
About 53% of South Koreans say they get news on YouTube, higher than an average of 30% in other countries, according to a 2023 report by Korea Press Foundation. That was up from 24% in 2016.
Single stringed instrument, blown rather than plucked or strummed, with the string attached to a coconut shell resonator and with a tension noose wrapped around the string to adjust the pitch 311.121.222 — Korea: gayageum [82] [83] kayagum, kayago: zither-like string instrument, with 12 strings. 312.22-5: Kyrgyzstan: komuz [84] [85]
Wang did not know how to play the guqin so he used it as a model in order to build a new instrument he called the geomungo. [6] A painting of the instrument is found in a tomb in modern-day Jilin Province, China. [7] The Chinese historical text Records of the Three Kingdoms noted "The people of Goguryeo like to sing and dance. Men and women in ...
Jin Hi Kim (Korean: 김진희; RR: Gim Jinhui; born February 6, 1957) is a composer and performer of komungo and electric komungo, and a Korean music specialist. [1]Kim is known as a pioneer for introducing geomungo (거문고, a Korean fretted board zither, also spelled komungo) to American contemporary classical music scene through her own cross-cultural chamber and orchestral compositions ...
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