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The Seven Deadly Sins of Modern Times (1993) is an acrylic painting on a wooden table by the contemporary Australian artist Susan Dorothea White, where she proposes that today's deadly sins are the opposite of the original ones. [1]
Philip II of Spain himself purchased the work (prior to 1560, probably from a monastery art sale) in the belief that The Seven Deadly Sins was a Bosch original, and he always regarded it as such. It was his favourite Bosch painting and it hung in his own bedroom in El Escorial.
The seven deadly sins (also known as the capital vices or cardinal sins) function as a grouping classification of major vices within the teachings of Christianity. [1] According to the standard list, the seven deadly sins in Christianity are pride , greed , wrath , envy , lust , gluttony , and sloth .
In the upper row it appears there were images of personifications of the seven deadly sins, and in the row below a matching series of seven corporal works of mercy. This was a comparatively common theme in late medieval wall paintings, [ 5 ] In the Llangar paintings, each of the seven deadly sins appear to be represented through a person riding ...
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Animals are shown punishing humans, subjecting them to nightmarish torments that may symbolise the seven deadly sins, matching the torment to the sin. Sitting on an object that may be a toilet or a throne, the panel's centerpiece is a gigantic bird-headed monster feasting on human corpses, which he excretes through a cavity below him, [ 43 ...
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