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Buddhist art is visual art produced in the context of Buddhism.It includes depictions of Gautama Buddha and other Buddhas and bodhisattvas, notable Buddhist figures both historical and mythical, narrative scenes from their lives, mandalas, and physical objects associated with Buddhist practice, such as vajras, bells, stupas and Buddhist temple architecture. [1]
Bhavachakra, "wheel of life," [a] consists of the words bhava and chakra.. bhava (भव) means "being, worldly existence, becoming, birth, being, production, origin". [web 1]In Buddhism, bhava denotes the continuity of becoming (reincarnating) in one of the realms of existence, in the samsaric context of rebirth, life and the maturation arising therefrom. [2]
In its first centuries Buddhism was largely or entirely aniconic, not showing the person of Buddha except by symbols and relics. This changed, and figures of the Buddha became very common in the art of Gandhara and Gupta art. As forms of esoteric Buddhism developed, other figures from the expanding array of Buddhist sacred persons became more ...
The dharmachakra (Sanskrit: धर्मचक्र, Pali: dhammacakka) or wheel of dharma is a symbol used in the Dharmic religions.It has a widespread use in Buddhism. [1] [2] In Hinduism, the symbol is particularly used in places that underwent religious transformation.
As Buddhism spread from India to other countries, variations in the depiction of the Buddha evolved. This article describes the canon of Buddha representation in Thailand and Laos. This canon was not formalised until the 19th century, as part of the general project of "modernisation" that followed the Buddhist world's encounter with Western ...
Most Tibetan Buddhist monasteries, temples and other religious structures in the Himalayas were decorated with Tibetan Buddhist wall paintings. Despite much destruction in Tibet itself, many of these survive, the dry climate of the Tibetan plateau assisting their survival, as the wet Indian climate has reduced survival of paintings from there.
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According to Buddhist scholar E. Lamotte, Vajrapani was the chief of the Guhayakas (genies des cavernes), who played an important role in Esoteric Buddhist and Brahmanical literature of India. Lamotte based his assessment on many textual passages which explained Vajrapani's use of his magic vajra to shake mountains.
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