Search results
Results from the WOW.Com Content Network
In 1855 Hughes married Tryphena Foord, his model for April Love. They had five children of whom one, Arthur Foord Hughes, [4] also became a painter. Hughes died in Kew Green, London in 1915, [5] leaving about 700 known paintings and drawings, along with over 750 book illustrations. Following the death of Tryphena Hughes in 1921, their daughter ...
Ophelia (/ o ʊ ˈ f iː l i ə /) is a ... Arthur Hughes, Ophelia (c. 1865) Thomas Francis Dicksee, Ophelia (1873) Jules Bastien Lepage, Ophelia (1881) Konstantin ...
In Jasper Fforde's novel Something Rotten (2004) Ophelia tries to take over the play during Hamlet's excursion to the real world. [6] Ophelia by Lisa Klein tells the story of Hamlet from Ophelia's point of view. [7] In Paul Griffiths' novel let me tell you (2008) Ophelia tells a narrative using only her words from Hamlet, rearranged.
Arthur Hughes – Ophelia, 1863–64. Ophelia (1851–1853) April Love (1855–56), Tate Britain, London; Home From the Sea (1856–57) The Long Engagement (1859), Birmingham Museum and Art Gallery; Mariana at the window (c.1860s) Knight of the Sun (circa 1861) Home from Sea (1862), Ashmolean Museum, Oxford; La Belle Dame Sans Merci (1861–1863)
Illustration by Holman Hunt to Thomas Woolner's poem "My Beautiful Lady", published in The Germ, 1850. The Germ, thoughts towards nature in art and literature (1850) was a periodical established by the Pre-Raphaelite Brotherhood to disseminate their ideas. [1]
Matthew Shardlake (Arthur Hughes) is a shrewd lawyer in the employ of Thomas Cromwell , the close confidant, and scarcely leashed pitbull, of Henry VIII. When one of Cromwell’s dogsbodies is ...
April Love is a painting by the Pre-Raphaelite painter Arthur Hughes which was created between 1855 and 1856. It was first exhibited at the Royal Academy of Arts in 1856. [1] At its first showing Hughes accompanied the painting with an extract from Tennyson's poem "The Miller's Daughter": Love is hurt with jar and fret, Love is made a vague regret,
From ancient history to the modern day, the clitoris has been discredited, dismissed and deleted -- and women's pleasure has often been left out of the conversation entirely. Now, an underground art movement led by artist Sophia Wallace is emerging across the globe to challenge the lies, question the myths and rewrite the rules around sex and the female body.