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Christian crosses are used widely in churches, on top of church buildings, on bibles, in heraldry, in personal jewelry, on hilltops, and elsewhere as an attestation or other symbol of Christianity. Crosses are a prominent feature of Christian cemeteries, either carved on gravestones or as sculpted stelae.
The Christian cross, seen as representing the crucifixion of Jesus, is a symbol of Christianity. [1] It is related to the crucifix (a cross that includes a corpus (a representation of Jesus' body, usually three-dimensional) and to the more general family of cross symbols .
Jerusalem cross based on a cross potent (as commonly realised in early modern heraldry) The national flag of Georgia The Jerusalem cross (also known as "five-fold Cross", or "cross-and-crosslets") is a heraldic cross and Christian cross variant consisting of a large cross potent surrounded by four smaller Greek crosses, one in each quadrant, representing the Four Evangelists and the spread of ...
The Russian Orthodox Cross (or just the Orthodox Cross by some Russian Orthodox traditions) [1] is a variation of the Christian cross since the 16th century in Russia, although it bears some similarity to a cross with a bottom crossbeam slanted the other way (upwards) found since the 6th century in the Byzantine Empire. The Russian Orthodox ...
Standard form of the cross pattée or Pate. A cross pattée, cross patty or Pate, or cross paty, also known as a cross formy or cross formée (French: croix pattée, German: Tatzenkreuz) or Templar cross, is a type of Christian cross with arms that are narrow at the centre, and often flared in a curve or straight line shape, to be broader at the perimeter.
Flags with crosses are recorded from the later Middle Ages, e.g. in the early 14th century the insignia cruxata comunis of the city of Genoa, the red-on-white cross that would later become known as St George's Cross, and the white-on-red cross of the Reichssturmfahne used as the war flag of the Holy Roman Emperor possibly from the early 13th ...
In music, a melody of four pitches where a straight line drawn between the outer pair bisects a straight line drawn between the inner pair, thus forming a cross. In its simplest form, the cruciform melody is a changing tone, where the melody ascends or descends by step, skips below or above the first pitch, then returns to the first pitch by step.
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