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Theories of history are theories for why things happened the way they did ... Theoretical historians (7 C, 38 P) Works about the theory of history (4 C, 48 P) A.
In this opinion, grand theories are unprovable, and instead intensive field work would determine the most likely explanation and history of a culture, and hence it is named "historicism". This opinion would produce a wide range of definition of what, exactly, constituted culture and history, but in each case the only means of explaining it was ...
Historical method is the collection of techniques and guidelines that historians use to research and write histories of the past. Secondary sources, primary sources and material evidence such as that derived from archaeology may all be drawn on, and the historian's skill lies in identifying these sources, evaluating their relative authority, and combining their testimony appropriately in order ...
Cultural history also examines main historical concepts as power, ideology, class, culture, cultural identity, attitude, race, perception and new historical methods as narration of body. Many studies consider adaptations of traditional culture to mass media (television, radio, newspapers, magazines, posters, etc.), from print to film and, now ...
The Allegory On the Writing of History shows Truth (top) watching the historian write history, while advised by Wisdom.(Jacob de Wit,1754)Historiography is the study of the methods used by historians in developing history as an academic discipline, and by extension, the term historiography is any body of historical work on a particular subject.
A related crux of historical institutionalism is that temporal sequences matter: outcomes depend upon the timing of exogenous factors (such as inter-state competition or economic crisis) in relation to particular institutional configurations (such as the level of bureaucratic professionalism or degree of state autonomy from class forces).
Thus it reflects a turn in 1960s Marxist historiography away from 'the orthodox Marxist approach to human behaviour in which actors are seen as motivated in the first instance by economics, and only secondarily by culture or ideology', in the work of historians such as E. P. Thompson. [2]
Richard Powers is an expert in American social dance, noted for his choreographies for dozens of stage productions and films, and his workshops in Paris, Rome, Prague, London, Venice, Geneva, St. Petersburg and Tokyo as well as across the U.S. and Canada.