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The dance is based on Russian khorovod dances. the dance is of vivid and light character, of medium to faster tempo in 2/4 time. [6] Triple-Step Basic Walks: Right-to-left handhold, Free hands are on the waist. Steps are mirrored, along the line of dance. 1-2-3-4, 5-6-7-8: step-step-step-tap, step-step-step-tap. Tap is toe beside the support foot.
Members of the Beryozka troupe in the folk clothing of ethnic Russians. The Beryozka or Berezka Dance Ensemble (in Russian: Берёзка, 'little birch tree') is a troupe of female dancers founded by Russian choreographer and dancer Nadezhda Nadezhdina in 1948 in the Soviet Union which specializes in performing in long gowns and moving across the stage as though gliding or floating. [1]
The troupe combines traditional folk dance and classical ballet techniques to create their style of character dance. [4] It was established in 1937 by Igor Moiseyev. The company has toured in over a hundred countries [5] and is one of the most influential [6] and acclaimed dance troupes of both Soviet and modern Russia. [3] [7] [8] [9]
Rudolf Khametovich Nureyev [a] (17 March 1938 – 6 January 1993) was a Soviet-born ballet dancer and choreographer. Nureyev is widely regarded as the most preeminent male ballet dancer of his generation as well as one of the greatest ballet dancers of all time.
In Russian culture and in the countries with culture influenced by the Soviet Union, estrada is a kind of scenic art of small forms of mainly popular-entertaining direction, including such directions as singing, dance, circus on stage, illusionism, colloquial genre, parody, clownery.
The Alexandrov Ensemble with Iosif Kobzon as soloist The Alexandrov Ensemble, Bielsko-Biala, 2006.Victor Sanin on the left, Dmitry Bykov on the right (soloists) The Alexandrov Ensemble (Russian: Ансамбль Александрова, romanized: Ansambl' Aleksandrova; commonly known as the Red Army Choir [1] in the West) is an official army choir of the Russian armed forces.
Since the mid-1970s and 1980s, Russian-language pop music has experienced development. Many musical compositions, such as “Lavender” [15] and “Moon” [16] (Sofia Rotaru), “Million Roses”, [17] “Iceberg” [18] and “Ferryman” [19] (Alla Pugacheva), “I Want Change” [20] (), created during this period, will become signature a card of Soviet and then Russian pop music in the ...