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Some graffiti characters evolve from drawing faces inside letters, which then develop into more complex characters. [9] Characters may be used as substitutes for individual letters. [ 5 ] [ 10 ] There is usually a clear connection between a writers handstyle and the way they draw their character(s).
The Cool S consists of 14 line segments, forming a stylized, pointed S-shape.It has also been compared to the infinity symbol. [4] The S appears to have depth, where the overlap in the center of the S and the appearance of a potential altitude change at the top and bottom of the S make it look like the S connects back to itself in the same way as the infinity symbol does. [5]
A piece using the letters EKOM. Pieces, short for masterpieces, are a form of graffiti that involves large, elaborate and detailed letter forms. They are one of the main forms of modern graffiti, along with tags and throw ups, and are the least controversial of the three [1] and least likely to be seen as vandalism.
Philly letters are usually difficult to read for those outside the graffiti community due to this abstraction and stylisation of the letters. Pichação is a handstyle developed in São Paulo. This handstyle is distinctively cryptic and has a dark aesthetic. The letters are usually painted vertically, while free climbing or rappeling off buildings.
Tagging crew names are usually three letters, but can be two to five letters long. The letters are abbreviations of the full crew name. Numbers in crew name can be derived from many things such as the alphabet sequence (1=A, 2=B, 3= C....), telephone keypad numbers (2=A, B, or C; 3=D, E or F), area codes, or penal codes or a combination of these.
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The letters in wildstyle graffiti are often highly exaggerated with curves and overlapping, intertwined, and interlocking letters. [1] Arrows are very common in wildstyle graffiti, [1] and are used to suggest the flow within the artwork. [6] Wildstyle pieces often use large amounts of vibrant colours. [7]
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