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Aiko released her third album Fortune's Child on 13 October 2023. On 28 November 2023, she was announced as one of the contestants of the Czech national final for the Eurovision Song Contest 2024, [5] competing with the song "Pedestal". On 13 December, she was crowned as the winner of the selection. [6]
"Pedestal" is a song by Czech singer Aiko, self-released on 22 September 2023 as the lead single of Aiko's third studio album, Fortune's Child. Self-described as a "self-love, post-breakup anthem", it was written by Aiko and Steven Ansell. The song represented the Czech Republic in the Eurovision Song Contest 2024, held in Malmö. It finished ...
Czechia was scheduled for the first half of the second semi-final. [29] The shows' producers then decided the running order for the semi-finals; Czechia was set to perform in position 5. [30] In Czechia, all the shows were aired on ČT2, [31] with commentary provided by Vašek Matějovský, Patricie Kaňok Fuxová and Dominika Hašková. [32]
Patti Yasutake – Ensign Alyssa Ogawa (3 episodes) Colm Meaney – Transporter Chief (CPO.) Miles O'Brien (2 episodes) Whoopi Goldberg – Guinan (3 episodes) John de Lancie – Q (2 episodes) Brian Bonsall – Alexander Rozhenko (2 episodes) Dwight Schultz – Lt. Reginald Barclay (2 episodes) Rosalind Chao – Keiko O'Brien (1 episode)
The episode was released as part of the Star Trek: The Next Generation season six DVD box set in the United States on December 3, 2002. [10] A remastered HD version was released on Blu-ray optical disc, on June 24, 2014. [11] [12]
"Sons and Daughters" is the third episode in the sixth season of Star Trek: Deep Space Nine. It is the 127th episode overall. Set in the 24th century, the series follows the adventures of the crew of the Starfleet-run space station Deep Space Nine near the planet Bajor, as the Bajorans recover from a long, brutal occupation by the imperialistic Cardassians.
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Eric Goldman of IGN rated the episode 7.3 out of 10. [2] Evan Valentine of Collider rated the episode four out of five stars. [ 3 ] Finding the episode close to a bottle episode in style, Entertainment Weekly ' s Keith Staskiewicz praised it as "the quickest, strongest, and funniest" of the first three episodes of the season. [ 4 ]