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Two guayaberas seen from the back, showing the alforza pleats and the Western-style yoke. The guayabera (/ ɡ w aɪ. ə ˈ b ɛr ə /), also known as camisa de Yucatán (Yucatán shirt), is a men's summer shirt, worn outside the trousers, distinguished by two columns of closely sewn pleats running the length of the front and back of the shirt.
Full-dress shirts had ruffles of fine fabric or lace, while undress shirts ended in plain wrist bands. A small turnover collar returned to fashion, worn with the stock. In England, clean, white linen shirts were considered important in Men's attire. [10] The cravat reappeared at the end of the period.
Auguste Toulmouche's Reluctant Bride of 1866 wears white satin, and her friend tries on her bridal wreath of orange blossoms. 1860s fashion in European and European-influenced countries is characterized by extremely full-skirted women's fashions relying on crinolines and hoops and the emergence of "alternative fashions" under the influence of ...
Men’s fashion expert Scott Liebenberg wholeheartedly agrees. “Without doubt, a well-fitted white dress shirt is the number one item that can make a man look instantly richer,” said Liebenberg.
Swedish industrialist Emanuel De Geer in an outfit from 1656 with linen shirt with cuffs and a doublet with slashed sleeves. Over the shoulder can be seen a baldric, and at his side a rapier. Dutch fashions, 1658. White boothose, petticoat breeches
Late 19th century barong tagalog made from piña with both pechera ("shirt front") and sabog ("scattered") embroidery, from the Honolulu Museum of Art. The barong tagalog, more commonly known simply as barong (and occasionally baro), is an embroidered long-sleeved formal shirt for men and a national dress of the Philippines.
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