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"Concerning Hobbits" is a piece by composer Howard Shore derived from The Lord of the Rings: The Fellowship of the Ring soundtrack.It is a concert suite of the music of the Hobbits, arranged from the music heard in the film during the early Shire scenes, and features the various themes and leitmotifs composed for the Shire and Hobbits; it is intended to evoke feelings of peace. [1]
It features both in the films, many times, and in Shore's concert suite Concerning Hobbits. The melody, all in one key, occurs in pensive, rural, and hymn settings. [n] The pensive setting [o] is played classically, with the melody on whistle or clarinet according to the mood of the moment.
The Lord of the Rings: The Fellowship of the Ring: Original Motion Picture Soundtrack was released on 20 November 2001. It was composed, orchestrated, and conducted by Howard Shore, and performed by the London Philharmonic Orchestra, the New Zealand Symphony Orchestra, the London Voices, London Oratory School Schola choir and multiple featured instrumental and vocal soloists.
Concerning Hobbits; The Seduction of the Ring; The Black Rider and Treason of Isengard "Movement 2" – 34:04. Rivendell; The Ring Goes South; A Journey in the Dark; The Bridge of Khazad Dum; Lothlorien; The Great River; Amon Hen; The Breaking of the Fellowship "Movement 3" – 18:15. Foundations of Stone/Glamdring; Gollum; Rohan; The Black ...
Major and minor third in a major chord: major third 'M' on bottom, minor third 'm' on top. Major and minor may also refer to scales and chords that contain a major third or a minor third, respectively. A major scale is a scale in which the third scale degree (the mediant) is a major third above the tonic note.
The harmonic minor scale (or Aeolian ♮7 scale) is a musical scale derived from the natural minor scale, with the minor seventh degree raised by one semitone to a major seventh, [2] [3] [4] creating an augmented second between the sixth and seventh degrees.
Recording for Gallagher's score began by March 2024 with the New Zealand-based Stroma ensemble, who provided wind and string instruments. [6] Crumhorns and shawms were recorded at London's Air-Edel Recording Studios; and soloist Karen Bentley Pollick was recorded remotely in Mexico playing the Hardanger fiddle, which Shore prominently used for the music of Rohan in the films.
In music, the mystic chord or Prometheus chord is a six-note synthetic chord and its associated scale, or pitch collection; which loosely serves as the harmonic and melodic basis for some of the later pieces by Russian composer Alexander Scriabin. Scriabin, however, did not use the chord directly but rather derived material from its transpositions.