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  2. Take Aim at the Police Van - Wikipedia

    en.wikipedia.org/wiki/Take_Aim_at_the_Police_Van

    The Nikkatsu Company conceived Take Aim at the Police Van as a borderless action film, a studio subgenre with internationalized characters and setting. Contract director Seijun Suzuki had previously worked mainly on pop song films, a youth subgenre in which the films were built around an already popular song, and yakuza films with an occasional film noir bent. [2]

  3. Seijun Suzuki filmography - Wikipedia

    en.wikipedia.org/wiki/Seijun_Suzuki_filmography

    Take Aim at the Police Van: 13号待避線より その護送車を狙え Jūsangō taihisen yori: Sono gosōsha o nerae: Sleep of the Beast: けものの眠り Kemono no nemuri: 0-Line Stowaway: 密航0ライン Mikkō zero rain: Everything Goes Wrong: すべてが狂ってる Subete ga kurutteru: Go to Hell, Hoodlums! くたばれ愚連隊

  4. Tattooed Life - Wikipedia

    en.wikipedia.org/wiki/Tattooed_Life

    Tattooed Life (刺青一代, Irezumi ichidai) is a 1965 yakuza action movie directed by Seijun Suzuki. [1] The film stars Hideki Takahashi as "Silver Fox" Tetsu. [ 2 ] [ 3 ] [ 4 ]

  5. List of films: T - Wikipedia

    en.wikipedia.org/wiki/List_of_films:_T

    The Take: (1974, 2004 & 2007) Take 2 (2017) Take Aim (1974) Take Aim at the Police Van (1960) Take All of Me (1976) Take Away (2003) Take Back (2021) Take Care (2014) Take Care of Amelia (1925) Take Care of Amelie (1932) Take Care Good Night (2018) Take Care of Maya (2023) Take Care of My Cat (2001) Take Care of My Little Girl (1951) Take Care ...

  6. ‘A Cop Movie’ Review: An Inventive Investigation Into What ...

    www.aol.com/entertainment/cop-movie-review...

    The siren heard over the opening seconds of “A Cop Movie” doesn’t emanate from a car at all, but from an actor, imitating the piercing sound of approaching police with her voice. That’s a ...

  7. Seijun Suzuki - Wikipedia

    en.wikipedia.org/wiki/Seijun_Suzuki

    He made 40 predominately B-movies for the Nikkatsu Company between 1956 and 1967, working most prolifically in the yakuza genre. His increasingly surreal style began to draw the ire of the studio in 1963 and culminated in his ultimate dismissal for what is now regarded as his magnum opus, Branded to Kill (1967), starring notable collaborator ...

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