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Quarter tone on C. A quarter tone is a pitch halfway between the usual notes of a chromatic scale or an interval about half as wide (orally, or logarithmically) as a semitone, which itself is half a whole tone. Quarter tones divide the octave by 50 cents each, and have 24 different pitches.
Comparison between tunings: Pythagorean, equal-tempered, quarter-comma meantone, and others.For each, the common origin is arbitrarily chosen as C. The degrees are arranged in the order or the cycle of fifths; as in each of these tunings except just intonation all fifths are of the same size, the tunings appear as straight lines, the slope indicating the relative tempering with respect to ...
In music, the major fourth and minor fifth, also known as the paramajor fourth and paraminor fifth, are intervals from the quarter-tone scale, named by Ivan Wyschnegradsky to describe the tones surrounding the tritone (F ♯ /G ♭) found in the more familiar twelve-tone scale, [1] as shown in the table below:
English. Read; Edit; View history; Tools. ... whole tone: minor — Aeolian mode or natural minor scale: Aeolian on C. Play ... Quarter tone scale C.
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Dialogue, for two pianos tuned a quarter-tone apart, eight hands, W.o.O. (1959) Dithyrambe, for two pianos tuned a quarter-tone apart, Op. 12 (1923–1924) Études sur les mouvements rotatoires, for two pianos tuned a quarter-tone apart, eight hands, Op. 45a.; for chamber orchestra, Op. 45c (1961)
Four of the scale notes – the tonic (C in the example), subdominant (F), dominant (G), and octave (C′) – are all fixed: They are nearly exactly the same relative pitches in all three categories of ancient Greek scales (enharmonic, chromatic, and diatonic), [4] and in ancient Greek music, the fixed tones relative pitches were very nearly the same as the corresponding notes in the modern ...
As discussed above, in the quarter-comma meantone temperament, the ratio of a semitone is S = 8 : 5 5 ⁄ 4, the ratio of a tone is T = √ 5 : 2. The tones in the diatonic scale can be divided into pairs of semitones. However, since S 2 is not equal to T, each tone must be composed of a pair of unequal semitones, S, and X:
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