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Published in 1922, the 434-line [A] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November issue of The Dial. Among its famous phrases are "April is the cruellest month", "I will show you fear in a handful of dust", and "These fragments I have shored against my ...
The windmill allegedly inspired Longfellow's poem, "The Windmill." [ 2 ] About ten years after it was attached to the home, Longfellow sent Greene a copy of the poem and, in a letter dated April 18, 1880, speculated "I think this is the first ever poem on the subject."
In the poem, the narrator admires the bird as it hovers in the air, suggesting that it controls the wind as a man may control a horse. The bird then suddenly swoops downwards and "rebuffed the big wind". The bird can be viewed as a metaphor for Christ or of divine epiphany. Hopkins called "The Windhover" "the best thing [he] ever wrote". [2]
The world's first megawatt-sized wind turbine near Grandpa's Knob Summit, Castleton, Vermont. [40] Experimental wind turbine at Nogent-le-Roi, France, 1955. A forerunner of modern horizontal-axis utility-scale wind generators was the WIME D-30 in service in Balaklava, near Yalta, USSR from 1931 until 1942. This was a 100 kW generator on a 30 m ...
"The wind shifts" explains why John Gould Fletcher detected a poet out of tune with life and with his surroundings. (See the main Harmonium essay.) Buttel cites this poem as an example of Stevens's mastery of repetition within free verse. The repetition of "the wind shifts" underscores the associated human feelings, and "heavy and heavy" adds ...
The poet becomes the wind's instrument, his "lyre" (57). This is a symbol of the poet's own passivity towards the wind; he becomes his musician and the wind's breath becomes his breath. The poet's attitude—towards the wind has changed: in the first canto the wind has been an "enchanter" (3), now the wind has become an "incantation" (65).
A 1913 photograph of Ezra Pound, one of the most influential modernist poets. The roots of English-language poetic modernism can be traced back to the works of a number of earlier writers, including Walt Whitman, whose long lines approached a type of free verse, the prose poetry of Oscar Wilde, Robert Browning's subversion of the poetic self, Emily Dickinson's compression and the writings of ...
"The Hand That Rocks the Cradle Is the Hand That Rules the World" is a poem by William Ross Wallace that praises motherhood as the preeminent force for change in the world. The poem was first published in 1865 under the title "What Rules the World".