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Tetris (Soundtrack from the Apple Original Film) is the soundtrack to the 2023 biographical film of the same name.It features original score cues from the film composed by Lorne Balfe and songs performed by Aaron Hibell, aespa, Polina, ReN, as well as remixes of yesteryear songs newly produced for the film.
Ladybug & Cat Noir: The Movie (soundtrack) Music of The Last of Us (TV series) Leave the World Behind (soundtrack) Leo (soundtrack) The Little Mermaid (2023 soundtrack) Loki: Season 2 – Vol. 1 (Episodes 1–3) (Original Soundtrack) Loki: Season 2 – Vol. 2 (Episodes 4–6) (Original Soundtrack) Love Again (soundtrack)
"Tetris" is a song arranged by English composer Andrew Lloyd Webber and English record producer Nigel Wright, collaborating under the pseudonym Doctor Spin. The composition is based on the theme to the 1989 Game Boy game Tetris , which itself is based on the Russian folk song " Korobeiniki ".
Tetris is a 2023 biographical thriller film based on true events around the race to license and patent the video game Tetris from Russia in the late 1980s during the Cold War. [3] [4] It was directed by Jon S. Baird and written by Noah Pink. The film stars Taron Egerton, Nikita Efremov, Sofia Lebedeva, and Anthony Boyle.
In 2008, UGO listed the song as the 3rd best video game music of all time. [8] The Tetris Company holds a sound trademark on this variation of the song for use in video games. [9] The official Tetris website wrote that Korobeiniki was "memorable enough on its own as both a poem and folk tune", independent of its adaption into the Tetris theme. [10]
List of songs based on a film Song Artist Film Ref. "2HB" Roxy Music: Casablanca [1] [2] "Alice" Avril Lavigne: Alice in Wonderland [3] "The American Nightmare" Ice Nine Kills: A Nightmare on Elm Street [4] "Attack of the Fifty-Foot Woman" The Tubes: Attack of the 50 Foot Woman [5] "Attack Ships on Fire" Revolting Cocks: Blade Runner [6 ...
Neil Voss (born October 7, 1974) is an American video game composer.His first recognized work was on Tetrisphere for Nintendo 64 in 1997, an acclaimed effort that earned him a "Best Soundtrack" award from Nintendo Power that year.
In a retrospective review, The A.V. Club ' s William Hughes stated that the song "displays some of the worst of its decade's (and composer's) typical excesses: The lyrics are laughable, and the heavy-handed synths and piano riffs come dangerously close to cheese", but adds, "The sum of those parts transcends their limitations, hooking directly into pure emotional need like only the greatest of ...