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The biwa (Japanese: 琵琶) is a Japanese short-necked wooden lute traditionally used in narrative storytelling. The biwa is a plucked string instrument that first gained popularity in China before spreading throughout East Asia, eventually reaching Japan sometime during the Nara period (710–794).
Traditional Japanese musical instruments, known as wagakki (和楽器) in Japanese, are musical instruments used in the traditional folk music of Japan. They comprise a range of string , wind , and percussion instruments.
The biwa (琵琶 - Chinese: pipa), a form of short-necked lute, was played by a group of itinerant performers (biwa hōshi). The root of Biwa music was The Tale of the Heike. [7] Biwa hōshi organized into a guild-like association. The biwa is Japan's traditional instrument. [citation needed]
The Biwa in History, Its Origins and Development in Japan. Ann Arbor: University of Michigan, 1967. Groemer, Gerald. The Spirit of Tsugaru: Blind Musicians, Tsugaru-jamisen, and the Folk Music of Northern Japan, with the Autobiography of Takahashi Chikuzan. Sterling Heights: Harmonie Park Press, 1999. History of Japanese Traditional Music ...
There are more than 42,000 known major and minor festivals in the Philippines, the majority of which are in the barangay (village) level. Due to the thousands of town, city, provincial, national, and village fiestas in the country, the Philippines has traditionally been known as the Capital of the World's Festivities .
Professional players can produce virtually any pitch they wish from the instrument, and play a wide repertoire of original Zen music, ensemble music with koto, biwa, and shamisen, folk music, jazz, and other modern pieces. Much of the shakuhachi 's subtlety (and player's skill) lies in its rich tone colouring, and the ability for its variation.
In Japan, a bucket of KFC fried chicken has become a holiday staple. Christmas Eve in Finland can involve going to the sauna with your whole family. Christmas is a time of celebration and ...
In conservatoria across the country, even students of traditional instruments were always required to learn the piano. [20] Takemitsu, 1961. From the early 1960s, Takemitsu began to make use of traditional Japanese instruments in his music, and even took up playing the biwa—an instrument he used in his score for the film Seppuku (1962). [2]