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The pipa, pípá, or p'i-p'a (Chinese: 琵琶) is a traditional Chinese musical instrument belonging to the plucked category of instruments.Sometimes called the "Chinese lute", the instrument has a pear-shaped wooden body with a varying number of frets ranging from 12 to 31.
Chinese musical instruments are traditionally grouped into eight categories (classified by the material from which the instruments were made) known as bā yīn . [1] The eight categories are silk, bamboo, wood, stone, metal, clay, gourd and skin; other instruments considered traditional exist that may not fit these groups. The grouping of ...
[1] [2] In old Chinese texts from the Han to the Tang dynasty, the term pipa was used as a generic term for a number plucked chordophones, including ruan, therefore does not necessarily mean the same as the modern usage of pipa which refers only to the pear-shaped instrument. According to the Pipa Annals 《琵琶赋》 by Fu Xuan (傅玄) of ...
Stringed music is prominent in China, especially in the Jiangnan region, where it is the name of all the instruments made from wood and string. This form of performance started from the Jin dynasty (266–420). [citation needed] The most common Chinese stringed instruments are the guqin, zheng, erhu, and pipa. These instruments were developed ...
Zhongguo feng pop music typically involves the use of traditional Chinese instruments, such as the pipa (stringed Chinese lute), guzheng (Chinese zither), erhu (Chinese two-stringed fiddle), dizi (Chinese bamboo flute), yangqin (Chinese hammered dulcimer), dagu (Chinese bass drum), gong, paiban (clapper) and others. Zhongguo feng music can also ...
The piece draws inspiration from Yue Opera for its melodies, chord structures, and patterns, and attempts to imitate the playing techniques of Chinese musical instruments, including the Erhu and Pipa. [2] [3] [4] These elements give the piece a distinctive Chinese sound, although scholars note the concerto still uses Western tonal harmonies and ...
Wei Zhongle, also romanized as Wei Chung-Loh [1] or Wei Chung-Lok [2] (simplified Chinese: 卫仲乐; traditional Chinese: 衛仲樂, 21 March 1908 – 7 April 1997), was a Chinese musical instrumentalist. He played a wide variety of traditional Chinese instruments, including Pipa, Guqin, Erhu, Xiao, and Jinghu. [3]
The default tuning of zhongruan is G 2 D 3 G 3 D 4. [3] It can also be tuned as G 2 D 3 A 3 E 4, or A 2 D 3 D 3 D 4, or other variants, according to requirements in music scores. [4] Since the zhongruan has a rounded, calm and rich tone, it is usually played as a lead instrument in small ensembles and used to accompany other instruments in Chinese orchestra. [5]
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