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The most usual depiction of the Trinity in Renaissance art depicts God the Father as an old man, usually with a long beard and patriarchal in appearance, sometimes with a triangular halo (as a reference to the Trinity), or with a papal tiara, specially in Northern Renaissance painting. In these depictions The Father may hold a globe or book.
Seated Old Man: c. 1630: Red and black chalk: 14.5 x 14.3 cm: Nationalmuseum, Stockholm: The drawing is related to the etching B325 : Bearded Old Man Seated in an Armchair: 1631: Red chalk on paper: 25 x 17 cm: Private collection, New York: Signed with the monogram RHL and dated 1631 Old Man Seated in an Armchair: 1631: Red chalk, frame line ...
An Old Man in an Armchair: 1652: Oil on canvas: 111 x 88: National Gallery, London: 221: Probably by Rembrandt An Old Man in Fanciful Costume: 1651: Oil on canvas: 78.5 x 67.5: Chatsworth House: 222: The painting was originally taller. It is covered by a disturbing layer of yellowed varnish Hendrickje with Fur Wrap: c. 1652: Oil on canvas: 103. ...
Bearded Man with a Beret is a 1630 oil-on-panel painting by the Dutch artist Jan Lievens. Its dimensions are 53.5 cm × 46.3 cm (21.1 in × 18.2 in). [1] The painting is of an old man who is looking up to his right. His lips are parted as if he has been interrupted while speaking.
There is also a drawing by Leonardo da Vinci (1512), [18] and self-portraits in larger works by Michelangelo, who gave his face to the skin of St. Bartholomew in the Last Judgement of the Sistine Chapel (1536–1541), and Raphael who is seen in the characters of School of Athens 1510, or with a friend who holds his shoulder (1518).
By The Beauty Experts at L'Oréal Paris With the popularity of facial hair continuing to grow (ha), the question of whether you prefer your guy with a beard is guaranteed to cause a heated debate.
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