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It was discovered by chance in the autumn of 1985 by tractor driver Ivan Dimitrov, digging a hole for an irrigation system in his garden in the Bulgarian village of Rogozen. On January 6,1986 an archaeological team, consisting of Bogdan Nikolov, Spas Mashov and Plamen Ivanov from the County Historical Museum(Regional Historical Museum) in ...
Thracian Treasures from Bulgaria: Checklist of The Special Exhibition, June 11 - September 4, 1977, coordinated by Dietrich von Bothmer, items 288-292. New York: Metropolitan Museum of Art. 1977. Archived from the original on 6 July 2018 – via Digital Collections of the Metropolitan Museum of Art.
The Thracians (Bulgarian: Траки, Ancient Greek: Θρᾷκες, Latin: Thraci) were a group of Indo-European tribes inhabiting a large area in Central and Southeastern Europe, centred in modern Bulgaria. [2] They were bordered by the Scythians to the north, the Celts and the Illyrians to the west, the Greeks to the south, and the Black Sea ...
The study of Bulgarian epigraphic monuments has a three-century history. The beginning was made by the decree of Peter I in 1722, after he personally visited the Bulgar settlement. In 1831, the orientalist J. Klaproth first published Bulgarian epitaphs. And in 1863, Kh. Faizkhanov read the inscriptions, relying on data from the Chuvash language.
The couple is seated separately on differing ornate chairs. Bulgarian art historian Lyudmila Zhivkova interprets the shared gesture between the central figures as indicative of a moment of tenderness and equality, but that interpretation is not shared by all specialists. Horn musicians are shown playing their instruments as they walk in the ...
As one of the best known surviving artefacts of Thracian culture, the treasure has been displayed at various museums around the world. [14] [5] [15] [16] [17] The treasure is the centerpiece of the Thracian art collection of the Plovdiv Regional Historical Museum, the National Museum of History in Sofia, and the History Museum in Panagyurishte. [18]
The development of Bulgarian art follows the path of the ethnographic and descriptive genre scenes, painted by the artists after the Liberation, such as Ivan Markvichka, Anton Mitov, Ivan Angelov, Yaroslav Veshin in the exquisite landscapes and elegant portraits typical of the beginning of the 20th century by Nikola Petrov, Nikola Marinov ...
The objects are made of silver, some of them gilded in order to reinforce the artistic images and to put emphasis on the ornaments. Phiales and the bowl are richly adorned with ornaments, depicting floral shapes, human heads and other artistic elements. On the applications various animals are portrayed – lion, gryphon, dog, stag and others.