Search results
Results from the WOW.Com Content Network
The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
"The pot calling the kettle black" is a proverbial idiom that may be of Spanish origin, of which English versions began to appear in the first half of the 17th century. It means a situation in which somebody accuses someone else of a fault which the accuser shares, and therefore is an example of psychological projection , [ 1 ] or hypocrisy . [ 2 ]
I Am" (or "Lines: I Am") [1] is a poem written by English poet John Clare in late 1844 or 1845 and published in 1848. It was composed when Clare was in the Northampton General Lunatic Asylum [ 2 ] (commonly Northampton County Asylum, and later renamed St Andrew's Hospital), isolated by his mental illness from his family and friends.
To pass the time, he began sketching images of hospital machines and scenes of medical procedures. He later began to work those ideas into a book. Geisel quipped that he was "fed up with a social life consisting entirely of doctors". [2] You're Only Old Once! was Seuss's first adult book since The Seven Lady Godivas, which was published in 1939.
The poem concludes with the line "I have wasted my life." The line is one of the most highly regarded and widely debated lines in contemporary poetry, [2] [1] and has often been seen as having had cemented Wright's poetic legacy. [3] The line has been widely interpreted.
Get AOL Mail for FREE! Manage your email like never before with travel, photo & document views. Personalize your inbox with themes & tabs. You've Got Mail!
There are multiple variations of the poem and some stanzas are left out of certain versions, but the basic narrative structure remains constant. It details the adventures of the generously endowed Dead-Eye Dick and his gunslinging sidekick Mexican Pete. Fed up with their sex life at Dead Man's Creek, they travel to the Rio Grande.
The speaker of Dickinson's poem meets personified Death. Death is a gentleman who is riding in the horse carriage that picks up the speaker in the poem and takes the speaker on her journey to the afterlife. According to Thomas H. Johnson's variorum edition of 1955 the number of this poem is "712".