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The Waste Land is a poem by T. S. Eliot, widely regarded as one of the most important English-language poems of the 20th century and a central work of modernist poetry. Published in 1922, the 434-line [ A ] poem first appeared in the United Kingdom in the October issue of Eliot's magazine The Criterion and in the United States in the November ...
The first published English grammar was a Pamphlet for Grammar of 1586, written by William Bullokar with the stated goal of demonstrating that English was just as rule-based as Latin. Bullokar's grammar was faithfully modeled on William Lily's Latin grammar, Rudimenta Grammatices (1534), used in English schools at that time, having been ...
I Am" (or "Lines: I Am") [1] is a poem written by English poet John Clare in late 1844 or 1845 and published in 1848. It was composed when Clare was in the Northampton General Lunatic Asylum [ 2 ] (commonly Northampton County Asylum, and later renamed St Andrew's Hospital), isolated by his mental illness from his family and friends.
In the midst of life, we are in death; Into every life a little rain must fall; It ain't over till/until it's over; It ain't over till the fat lady sings; It ain't what you don't know that gets you into trouble. It's what you know for sure that just ain't so; It goes without saying; It is a small world; It is all grist to the mill
The term grammar can also describe the linguistic behaviour of groups of speakers and writers rather than individuals. Differences in scale are important to this meaning: for example, English grammar could describe those rules followed by every one of the language's speakers. [2]
Sometimes, English has a lexical distinction where other languages may use the distinction in grammatical aspect. For example, the English verbs "to know" (the state of knowing) and "to find out" (knowing viewed as a "completed action") correspond to the imperfect and perfect forms of the equivalent verbs in French and Spanish, savoir and saber ...
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The poem concludes with the line "I have wasted my life." The line is one of the most highly regarded and widely debated lines in contemporary poetry, [2] [1] and has often been seen as having had cemented Wright's poetic legacy. [3] The line has been widely interpreted.