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The opening chord was D, the chords at first and second verse was D and A, the chords on chorus was G, D, A7, A and D. The music video for the song was taken on the film Cucumber Castle . "The Lord" was released as a B-side of "Don't Forget to Remember" in August 1969, but in Canada, " I Lay Down and Die " was the B-side.
The Westminster Quarters, from its use at the Palace of Westminster, is a melody used by a set of four quarter bells to mark each quarter-hour. It is also known as the Westminster Chimes, Cambridge Quarters, or Cambridge Chimes, from its place of origin, the Church of St Mary the Great, Cambridge.
In "The Lord bless you and keep you", Rutter keeps the music restrained and simple. The accompaniment first rests on a pedal point; long chords in the bass change only every half bar, while broken chords in steady quavers add colour. The first line of the text is sung by the sopranos alone, then repeated by all voices, starting in unison but ...
The bass recitative, "Der Herr, Herr unser Gott, sei so mit euch" (The Lord, the Lord our God, be so with you), [1] prepares the closing chorale, [8] a setting which appeared as the closing chorale of the chorale cantata Lobe den Herren, den mächtigen König der Ehren, BWV 137, composed in 1725. [3]
"Our God" is a song written by Chris Tomlin, Jesse Reeves, Jonas Myrin, and Matt Redman. [1] The track was originally included on Passion: Awakening, a live record from Passion 10, the 2010 gathering of the Passion Conferences. [2] It was released as a single and spent 10 weeks as No. 1 on Billboard Christian charts. [2]
"How Great Is Our God" is a song written by Chris Tomlin, Jesse Reeves and Ed Cash. It was originally featured on Tomlin's album Arriving, that reached No. 1 on the Billboard Hot Christian Songs chart. It is also featured live on Tomlin's Live from Austin Music Hall album.
The full chorus sings the first half of this verse ("Thou turnest man to destruction"). Beginning in unison, as a collective address from mankind to God, the chorus sings the first three words, but then splits apart into a series of cacophonous chords, as in the first verse (a device used frequently in this piece), to align with the text, "to destruction", which is repeated thrice (another ...
The Lord our God, the Lord is One, In love and mercy infinite. My God and my Redeemer He, My Rock in sorrow's darkest day; A Help and Refuge unto me, My Portion sure, my Shield and Stay. My soul unto His care divine Do I commend; I will not fear: My body with it I resign, Waking or sleeping, God is near.
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