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The origin of sound collage can be traced back to the works of Biber's programmatic sonata Battalia (1673) and Mozart's Don Giovanni (1789), and certain passages in Mahler symphonies as collage, but the first fully developed collages occur in a few works by Charles Ives, whose piece Central Park in the Dark (1906) creates the feeling of a walk in the city by layering several distinct melodies ...
Plunderphonics is a music genre in which tracks are constructed by sampling recognizable musical works. The term was coined by composer John Oswald in 1985 in his essay "Plunderphonics, or Audio Piracy as a Compositional Prerogative", [1] and eventually explicitly defined in the liner notes of his Grayfolded album. Plunderphonics is a form of ...
Collage (/ k ə ˈ l ɑː ʒ /, from the French: coller, "to glue" or "to stick together"; [1]) is a technique of art creation, primarily used in the visual arts, but in music too, by which art results from an assemblage of different forms, thus creating a new whole.
In other words, it is not only the composition of the collage that conveys meaning; it is the particular composition of the component "sound-image" that conveys meaning, even extra-musical meaning. The technique of the collage, that he is associated with, is, then, less a neutral process than a conscious, Joycean process of analysis-by ...
"Revolution 9" is a sound collage from the Beatles' 1968 self-titled double album (also known as the "White Album"). The composition, credited to Lennon–McCartney, was created primarily by John Lennon with assistance from Yoko Ono and George Harrison.
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Collage: This is an art form which involves combining different materials like ribbons, newspaper clippings, photographs etc. to create a new whole. While it was a sporadic practice in antiquity, it became a fundamental part of modern art in the early 20th century, due to the efforts of Braque and Picasso.
With the emergence of hip hop music in the 1980s, deejays such as Grandmaster Flash utitlised turnables to "[montage] in real time" with portions of rock, R&B and disco records, in order to create groove-based music with percussive scratching; this provided a parallel breakthrough to collage artist Christian Marclay's use of vinyl records as a ...