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Paradiso (Italian: [paraˈdiːzo]; Italian for "Paradise" or "Heaven") is the third and final part of Dante's Divine Comedy, following the Inferno and the Purgatorio. It is an allegory telling of Dante's journey through Heaven, guided by Beatrice , who symbolises theology.
Dante gazes at Mount Purgatory in an allegorical portrait by Agnolo Bronzino, painted c. 1530. The Divine Comedy is composed of 14,233 lines that are divided into three cantiche (singular cantica) – Inferno (), Purgatorio (), and Paradiso () – each consisting of 33 cantos (Italian plural canti).
Dante, poised between the mountain of purgatory and the city of Florence, a detail of a painting by Domenico di Michelino, Florence 1465.. The Divine Comedy by Dante Alighieri is a long allegorical poem in three parts (or canticas): the Inferno (), Purgatorio (), and Paradiso (), and 100 cantos, with the Inferno having 34, Purgatorio having 33, and Paradiso having 33 cantos.
A room in Dante's House Museum [] containing many translations of the Divine Comedy into different languages. The Divine Comedy by Dante Alighieri is an epic poem in Italian written between 1308 and 1321 that describes its author's journey through the Christian afterlife. [1]
Beatrice "Bice" di Folco Portinari [1] (Italian: [beaˈtriːtʃe portiˈnaːri]; 1265 – 8 or 19 June 1290) was an Italian woman who has been commonly identified as the principal inspiration for Dante Alighieri's Vita Nuova, and is also identified with the Beatrice who acts as his guide in the last book of his narrative poem the Divine Comedy (La Divina Commedia), Paradiso, and during the ...
Dante: Inferno to Paradise is a 2024 American two-part documentary directed by Ric Burns, following the life and career of Dante Alighieri, and his poem Divine Comedy. It was broadcast by PBS on March 18 and 19, 2024.
Rosa Celeste: Gustave Doré's illustration for Paradiso Canto 31, where Dante and Beatrice gaze upon the highest Heaven, The Empyrean. The Divine Comedy has been a source of inspiration for artists, musicians, and authors since its appearance in the late 13th and early 14th centuries.
The drawings illustrate a manuscript of Dante's Divine Comedy. The entire thematic sequence of each canto was supposed to be illustrated by its own full-page drawing by Botticelli, an unprecedentedly ambitious conception. Normally, by the 15th century, a single incident was shown in each framed illustration in illustrated Dantes, as for other ...
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