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Arabic Melody for cello and piano, Op. 4 No. 5; from Five Romances (songs) (1882–85) Elegy in D flat major for cello and piano (Une Pensee a F. Liszt), Op. 17 (1888) Two Pieces for cello and piano, Op. 20A (1888) (Melodie; Spanish Serenade) Chant du Ménestrel for cello and piano, Op. 71 (1900) Reinhold Glière. Ballade
Cello Concerto in D major, based on Carl Maria von Weber's Clarinet Concerto No. 2 in E-flat major, Op. 74; Cello Concerto in D major, based on Mozart's Horn Concerto No. 3 in E-flat major, K. 447; Cello Concerto in A minor, based on Schubert's Sonata for Arpeggione and Piano, D. 821; Jean Cras. Légende (1929) César Cui. Deux morceaux Op. 36 ...
Concertino "In dich hab' ich gehoffet, Herr" for cello and organ; Zsolt Gárdonyi. Variations on a Hungarian Chorale; Lothar Graap "Befiehl du deine Wege", Variations for cello and organ "Hinunter ist der Sonne Schein", Chorale suite for cello and organ; Percy Grainger. The Nightingale; Sofia Gubaidulina. In Croce; René Guillou. Adagio ...
Mini-music to Siegfried Palm, Op. 38 (1970) Sven Einar Englund. Suite (1986) Gottfried von Einem. Music, Op. 108 (1996) Iván Erőd. Hommage à Beethoven, Op. 24 (Rhapsodie für Violoncello solo über Themen der Sonate, Op. 102/1 von Ludwig van Beethoven) (1977) Rudolf George Escher. Sonata for solo Violoncello (1945–48) Pozzi Escot. Sonata ...
Scordatura used in the Sonata for Solo Cello. The upper two strings remain the same as in normal tuning, while the lower strings are tuned down one semitone. The piece wavers between B minor and B major, and Kodály used the tuning to extend the instrument's tonal, dynamic and expressive range.
The A major Violin Sonata is one of César Franck's best-known compositions, and is considered one of the finest sonatas for violin and piano ever written. [1] After thorough historical study based on reliable documents, the Jules Delsart arrangement for cello (the piano part remains the same as in the violin sonata) was published by G. Henle Verlag as an Urtext edition.
The cello suites by Benjamin Britten (Opp. 72, 80, and 87) are a series of three compositions for solo cello, dedicated to Mstislav Rostropovich.The suites were the first original solo instrumental music that Britten wrote for and dedicated to Rostropovich, but Britten had earlier composed a cadenza for Joseph Haydn's Cello Concerto in C major, for Rostropovich, in 1964.
The cello carries the main thematic material, with the piano providing a harmonically varied accompaniment. In the major-key middle section, the piano bears the melodic theme before it passes to the cello. The middle section ends with a forceful passage in which the piano and cello exchange vehement themes.
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