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The Self-portrait is commonly dated between 1504 and 1506. It measures 47.5 cm by 33 cm. It measures 47.5 cm by 33 cm. The portrait was noted in an inventory of the private collection of Duke Leopoldo de' Medici , completed in 1675, and later listed in the 1890 Uffizi inventory.
The Self-Portrait with a Friend (also known as Double Portrait and as Raphael and His Fencing Master [1]) is a painting by Italian High Renaissance painter Raphael.It dates to 1518–1520, [2] and is in the Louvre Museum of Paris, France.
Portrait of a Young Man, unknown master, 80.5 × 63.5 cm, private collection Berlin. [citation needed] Portrait of a Young Man is a painting by Raphael. It is often thought to be a self-portrait. During the Second World War the painting was stolen by the Nazis from Poland. Many historians regard it as the most important painting missing since ...
Raphael probably didn't like his nose, and replaced it with an idealized version in his famous self-portrait. "He certainly made his nose look more refined," said Professor Mattia Falconi, a ...
Portrait of Lorenzo de' Medici, Duke of Urbino: Private collection Oil on canvas 97.2 × 79.4 c. 1518: Pope Leo X with Cardinals Giulio de' Medici and Luigi de' Rossi: Uffizi, Florence, Italy: Tempera on panel 155,5 x 119,5 c. 1518: The Pearl [5] Museo del Prado, Madrid, Spain Oil on panel 147,4 x 116 1518–1519: Self-portrait with a Friend ...
A self-portrait drawing from his teenage years shows his precocity. [13] His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age.
Self-Portrait (Sofonisba Anguissola) Self-Portrait (Giovanni Bellini) Self-portrait (Raphael) Self-Portrait (Rubens, Antwerp) Self-Portrait (Turner) Self-Portrait as a Female Martyr; Self-Portrait as a Lute Player; Self-Portrait as a Tahitian; Self-Portrait as Saint Catherine of Alexandria; Self-portrait at an Easel (Sofonisba Anguissola) Self ...
The architecture begs comparison with Raphael's earlier fresco masterwork The School of Athens (1509-1511), although the Domes in “The Expulsion of Heliodorus from the Temple” are much richer and are gilded and highly decorated. The work contains a self-portrait by Raphael, near the far left. [1]
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