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All these songs use twelve-bar blues riffs, and most of these riffs probably precede the examples given (Covach 2005, p. 71). In classical music, individual musical phrases used as the basis of classical music pieces are called ostinatos or simply phrases. Contemporary jazz writers also use riff- or lick-like ostinatos in modal music and Latin ...
Music lovers in the UK have done their best to finally put to rest the endless debate of what is the greatest guitar riff in music history. The voting was sponsored by BBC Radio 2 for a just over ...
The title line is an example of a negative concord. Jagger sings the verses in a tone hovering between cynical commentary and frustrated protest, and then leaps half singing and half yelling into the chorus, where the guitar riff reappears.
"The terms riff and fill are sometimes used interchangeably by musicians, but [while] the term riff usually refers to an exact musical phrase repeated throughout a song", a fill is an improvised phrase played during a section where nothing else is happening in the music. [2] While riffs are repeated, fills tend to be varied over the course of a ...
Page uses a guitar tuning of D–A–D–G–A–D, which he had used for the instrumentals "White Summer" and "Black Mountain Side". [4] [5] The song combines different rhythmic meters: the guitar riff is in triple meter, while the vocal is in quadruple meter. [6]
In popular music genres such as country, blues, jazz or rock music, a lick is "a stock pattern or phrase" [2] consisting of a short series of notes used in solos and melodic lines and accompaniment. For musicians, learning a lick is usually a form of imitation. By imitating, musicians understand and analyze what others have done, allowing them ...
The main guitar riff for James Brown's "Bring It Up" is an example of an onbeat/offbeat motif. Rhythmically, the pattern is similar to the typical Cuban guajeo structure, but tonally, it is unmistakably funky. [44] Bongos are used on the 1967 version. The rhythm is slightly swung. "Ain't It Funky Now" has a 2–3 guitar riff (c. late 1960s).
The guitar introduction to "Today," which repeats for four bars [10] "Today" is written in the key of E-flat major (E ♭ ) and its guitar parts are played in standard tuning . While Corgan briefly considered tuning the guitar down a half-step and playing the song with the fingerings and positions of E major, he said, "There was something about ...