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The period between 1876 and 1882 was the most productive for Morris; he created sixteen different wallpaper designs. In his wallpapers of this period, he reverted to more naturalistic themes, somewhat less three-dimensional than his earlier work, but with an exceptional harmony and rhythm, as in his designs Poppy (1885) and Acorn.
The Papua New Guinea National Emblem is a partially-stylized representation of the widespread Bird of Paradise Genus paradisaea in display, head turned to its left, seated on the upturned grip of a horizontal Kundu drum with the drum-head to the right side of the bird, from behind which a horizontal ceremonial spear projects with the head to the left of the bird.
The Native Americans of California have used different mediums and forms for their traditional designs found in artifacts that express their history and culture. Some traditional art forms and archaeological evidence include basketry, painted pictographs and petroglyphs found on the walls in the caves, and effigy figurines.
Wallpapers can come plain as "lining paper" to help cover uneven surfaces and minor wall defects, "textured", plain with a regular repeating pattern design, or with a single non-repeating large design carried over a set of sheets. The smallest wallpaper rectangle that can be tiled to form the whole pattern is known as the pattern repeat.
Khokhloma set Khokhloma tableware on a Soviet postage stamp.. Khokhloma (also Hohloma, Russian: хохлома; Russian pronunciation: [xəxɫɐˈma]) or Khokhloma painting (хохломская роспись, hohlomskaya rospis) is a style of Russian art traditionally painted on wooden household items.
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Bird Word Mahjongg. Solve mahjongg word puzzles in this solitaire word building game from the creators of Lost Island Mahjongg. With over 100 different puzzles and virtually unlimited letter ...
Bird-and-flower painting by Cai Han and Jin Xiaozhu, c. 17th century.. The huaniaohua is proper of 10th century China; and the most representative artists of this period are Huang Quan (哳㥳) (c. 900 – 965), who was an imperial painter for many years, and Xu Xi (徐熙) (937–975), who came from a prominent family but had never entered into officialdom.
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