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The song "Respect Yourself" was used by Spike Lee in the soundtrack to his movie Crooklyn, made in 1994. In 1999, The Staple Singers were inducted into the Rock and Roll Hall of Fame, where they performed "Respect Yourself" and "I'll Take You There". Pops Staples died of complications from a concussion suffered in December 2000. [16]
Mavis Staples (born July 10, 1939) is an American rhythm and blues and gospel singer and civil rights activist. She rose to fame as a member of her family's band The Staple Singers, of which she is the last surviving member. During her time in the group, she recorded the hit singles "I'll Take You There" and "Let's Do It Again". [1]
Carry Me Home is a 2022 collaborative album between Americans roots rock drummer Levon Helm and soul singer Mavis Staples, released on Anti-.Made from sessions recorded at Helm's studio in 2011, shortly before his death, the album has received praise from critics.
Jane Austen (/ ˈ ɒ s t ɪ n, ˈ ɔː s t ɪ n / OST-in, AW-stin; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for ...
Included on the group's 1972 album Be Altitude: Respect Yourself, "I'll Take You There" features lead singer Mavis Staples inviting her listeners to seek Heaven.The song is almost completely a call-and-response chorus, with the introduction and bassline being lifted—uncredited—from "The Liquidator", a 1969 reggae hit written by Harry Johnson and performed by the Harry J Allstars.
Roebuck "Pops" Staples (December 28, 1914 – December 19, 2000) was an American gospel and R&B musician. A "pivotal figure in gospel in the 1960s and 1970s", [1] he was an accomplished songwriter, guitarist and singer.
The pop star isn’t literally in the new movie, which debuts as part of the channel’s “Loveuary” season on Sat., Feb. 17, but the lyrics of one of her fan-favorite songs do make an appearance.
[3] The New York Times stated that Staples "remains a fine, fervent, huskily sensitive singer, and most of this disk does her justice." [4] Cashbox published a review of the album in the issue dated July 28, 1979, which said, "Mavis gave the Staple Singers that distinct, gritty vocal sound, and on Oh What a Feeling she proves just how versatile ...