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  2. 8 mm video format - Wikipedia

    en.wikipedia.org/wiki/8_mm_video_format

    Although it is possible to transfer tapes (using the VCR to rerecord the source video as it is played back by the camcorder), the VHS copy would lose some quality compared to the 8mm original. During the 1990s Sony did market a few VHS VCRs that also feature an 8mm deck to allow convenient transfer to VHS. GoldStar also made a similar dual-deck ...

  3. Best Super 8 and 8mm Film Converters to Digitize Your Home Movies

    www.aol.com/news/best-super-8-8mm-film-181531424...

    For premium support please call: 800-290-4726 more ways to reach us

  4. List of silent films released on 8 mm or Super 8 mm film

    en.wikipedia.org/wiki/List_of_silent_films...

    Preliminary 8mm Film Project: Report and Listing of 8mm Films. University of Nebraska, College of Medicine, Communications Division. Big as Life: An American History of 8mm Films : Type X. Museum of Modern Art. 1998.

  5. 8 mm film - Wikipedia

    en.wikipedia.org/wiki/8_mm_film

    The first single-run 8 mm film was offered in 1935 with a Bell & Howell movie camera Filmo 127-A called Straight Eight. Single-width 8 mm film revived in the United States by Bolsey-8 in 1956 and continued for some time outside the United States, with Germany Agfa Movex 8 [ de ] between 1937 and 1950s and Soviet Union KOMZ Ekran movie cameras ...

  6. Optical disc authoring - Wikipedia

    en.wikipedia.org/wiki/Optical_disc_authoring

    A burnt Sony DVD holding a pirated copy of The Simpsons Movie. To burn an optical disc, one usually first creates an optical disc image with a full file system, of a type designed for the optical disc, in temporary storage such as a file in another file system on a disk drive.

  7. Telecine (copying) - Wikipedia

    en.wikipedia.org/wiki/Telecine_(copying)

    The term telecine refers both to a film-to-tape transferring machine, as well as the process by which film is transferred to tape (or directly to a digital file). [1] The telecine process is frequently used by filmmakers to transfer production footage to video, which can then be captured by various non-linear digital editing systems (e.g., Final Cut Pro, Avid, etc.).

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