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A passive 2-way crossover designed to operate at loudspeaker voltages.. Audio crossovers are a type of electronic filter circuitry that splits an audio signal into two or more frequency ranges, so that the signals can be sent to loudspeaker drivers that are designed to operate within different frequency ranges.
In 1975 Ed Long [1] in cooperation with Ronald J. Wickersham invented the first technique to Time-Align a loudspeaker systems. In 1976 Long presented "A Time-Align Technique for Loudspeakers System Design" [2] at the 54th AES convention demonstrating the use of the Time-Align generator to design improved crossover networks for multi-way loudspeakers systems.
Amplifier and loudspeaker with two elements and crossover networks. Top: normal connection. Bottom: bi-wiring. Loudspeaker bi-wired using banana plugs. Bi-wiring is a means of connecting a loudspeaker to an audio amplifier, primarily used in hi-fi systems. Normally, there is one pair of connectors on a loudspeaker and a single cable (two ...
Bi-amping - An active crossover with two amplifiers.. Bi-amping and tri-amping is the practice of using two or three audio amplifiers respectively to amplify different audio frequency ranges, with the amplified signals being routed to different speaker drivers, such as woofers, subwoofers and tweeters.
Acoustic lobing refers to the radiation pattern of a combination of two or more loudspeaker drivers at a certain frequency, as seen looking at the speaker from its side.In most multi-way speakers, it is at the crossover frequency that the effects of lobing are of greatest concern, since this determines how well the speaker preserves the tonality of the original recorded content.
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1987 Cabinet: Crossover moved to compartment in bottom of speaker. SN. 5575/6; 1987 Sep Isobarik Sara 9 replaces Isobarik Sara; 1988 Crossover: New 4 ohm external crossover fitted in stand. Facility for tri-wiring. 1988 DMS discontinued – PMS can be driven passively (4 ohm) or actively. SN. 6701/2
The midwoofer-tweeter-midwoofer loudspeaker configuration (called MTM, for short) was a design arrangement from the late 1960s that suffered from serious lobing issues that prevented its popularity until it was perfected by Joseph D'Appolito as a way of correcting the inherent lobe tilting of a typical mid-tweeter (MT) configuration, at the crossover frequency, unless time-aligned. [1]
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