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Francis Bacon, 1st Viscount St Alban, [a] 1st Lord Verulam, PC (/ ˈ b eɪ k ən /; [5] 22 January 1561 – 9 April 1626) was an English philosopher and statesman who served as Attorney General and Lord Chancellor of England under King James I.
Francis Bacon, 1st Viscount St Alban, KC (22 January 1561 – 9 April 1626) was an English philosopher, statesman, scientist, lawyer, jurist, author, and pioneer of the scientific method. He served both as Attorney General and Lord Chancellor of England. Although his political career ended in disgrace, he remained extremely influential through ...
Salomon's House (or Solomon's House) is a fictional institution in Sir Francis Bacon's utopian work New Atlantis, published in English in 1777 [citation needed], years after Bacon's death. In this work, Bacon portrays a vision of the future of human discovery and knowledge.
Study for a Self-Portrait—Triptych, 1985–86 is a triptych painted between 1985 and 1986 by the Irish-born English artist Francis Bacon. It is a brutally honest examination of the effect of age and time on the human body and spirit and was painted in the aftermath of the deaths of many of his close friends.
Pages in category "Francis Bacon" The following 18 pages are in this category, out of 18 total. This list may not reflect recent changes. ...
Study for a Bullfight, Number 2 is an oil-on-canvas painting by the Irish-born English artist Francis Bacon executed in 1969. [1] The painting now belongs to the Museum of Fine Arts of Lyon, which acquired it in 1997.
Study for Portrait II, 1955.Tate Britain, London. Study for Portrait II (subtitled after the Life Mask of William Blake) is a small 1955 oil-on-canvas painting by the Irish-born British figurative artist Francis Bacon, one of a series of six portraits completed after viewing that year the English poet, painter and printmaker William Blake's (b. 1757) life mask at the National Portrait Gallery ...
It comprises three portraits of Bacon's lover George Dyer: from left to right, a three-quarter view, a right profile, and a face-on view. It was painted in the first half of 1964, within a year of Bacon first meeting Dyer in late 1963, and was based on photographs of Dyer taken by John Deakin. Bacon painted about 40 triptychs in this small ...
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