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New Criticism was a formalist movement in literary theory that dominated American literary criticism in the middle decades of the 20th century. It emphasized close reading , particularly of poetry, to discover how a work of literature functioned as a self-contained, self-referential aesthetic object.
New Journalism is a style of news writing and journalism, developed in the 1960s and 1970s, that uses literary techniques unconventional at the time.It is characterized by a subjective perspective, a literary style reminiscent of long-form non-fiction.
Literary movements are a way to divide literature into categories of similar philosophical, topical, or aesthetic features, as opposed to divisions by genre or period. Like other categorizations, literary movements provide language for comparing and discussing literary works. These terms are helpful for curricula or anthologies. [1]
This literary movement was driven by a conscious desire to overturn traditional modes of representation and express the new sensibilities of the time. [2] The immense human costs of the First World War saw the prevailing assumptions about society reassessed, [ 3 ] and much modernist writing engages with the technological advances and societal ...
Neo-Aristotelianism is a view of literature and rhetorical criticism propagated by the Chicago School [1] — Ronald S. Crane, Elder Olson, Richard McKeon, Wayne Booth, and others — which means: "A view of literature and criticism which takes a pluralistic attitude toward the history of literature and seeks to view literary works and critical ...
In character development, both modern and postmodern literature explore subjectivism, turning from external reality to examine inner states of consciousness, in many cases drawing on modernist examples in the "stream of consciousness" styles of James Joyce and Virginia Woolf, or explorative poems like The Waste Land by T. S. Eliot. In addition ...
"Sub-literary" texts and uninspired non-literary texts all came to be read as documents of historical discourse, side-by-side with the "great works of literature". A typical focus of new historicist critics, led by Stephen Orgel, has been on understanding Shakespeare less as an autonomous great author in the modern sense than as a means of ...
It was the most powerful perspective in American literary criticism. The representatives were John Crowe Ransom , Allen Tate , Cleanth Brooks , Robert Penn Warren . "The influential critical methods these poet-professors developed emphasized the sharpening of close reading skills.