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  2. Watts Gallery - Wikipedia

    en.wikipedia.org/wiki/Watts_Gallery

    Following the closure of the De Morgan Centre, London, in the summer of 2014, the Watts Gallery and the De Morgan Foundation, a registered charity [8] preserving the work of William De Morgan and Evelyn De Morgan, entered into a collaboration which saw the opening of a long term exhibition in the Richard Jeffries Gallery in the main gallery building. [9]

  3. After the Deluge (painting) - Wikipedia

    en.wikipedia.org/wiki/After_the_Deluge_(painting)

    In 1904 it was transferred to the newly-opened Watts Gallery in Compton, Surrey, shortly before Watts's death later that year. [1] Two years prior to this, Watts had returned to the theme of creation with The Sower of the Systems , which for the first time in one of his works directly depicted God, and which he described as representing "a ...

  4. George Frederic Watts - Wikipedia

    en.wikipedia.org/wiki/George_Frederic_Watts

    Watts was born in Marylebone in central London on the birthday of George Frederic Handel (after whom he was named), to the second wife of a poor piano-maker. Delicate in health and with his mother dying while he was still young, he was home-schooled by his father in a conservative interpretation of Christianity as well as via the classics such as the Iliad.

  5. File:Watts – After the Deluge.jpg - Wikipedia

    en.wikipedia.org/wiki/File:Watts_–_After_the...

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  6. 19 Crafts for Toddlers: Safe, Easy & Fun Craft Ideas ... - AOL

    www.aol.com/19-crafts-toddlers-safe-easy...

    Like postal workers, neither snow nor rain nor heat nor gloom of night will prevent your kids from tearing through (and tearing apart) your house when they’re bored. As tempting as it is to ...

  7. The All-Pervading - Wikipedia

    en.wikipedia.org/wiki/The_All-Pervading

    The All-Pervading is an allegorical painting produced between 1887 and 1890 by the English artist George Frederic Watts.Influenced by the Sibyls of the Sistine Chapel ceiling, it symbolises the spirit Watts saw as governing "the immeasurable expanse".

  8. Richard Jefferies (curator) - Wikipedia

    en.wikipedia.org/wiki/Richard_Jefferies_(curator)

    Richard Jefferies agreed to sit for Jon Edgar for a portrait using local Compton clay quarried from the foundations of the Brickfields pottery of Mary Wondrausch.The portrait was unveiled at the re-opening of the Watts Gallery in June 2011 and forms part of the Compton Triptych [2] unveiled at The Human Clay exhibition, Lewis Elton Gallery, University of Surrey in November 2011.

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