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The New York Review of Science Fiction was established in 1988 by Hartwell, Patrick Nielsen Hayden, Teresa Nielsen Hayden, Susan Palwick, Samuel R. Delany, and Kathryn Cramer. Gordon Van Gelder has also been on the editorial staff over the years. It was a print publication until the end of volume 24; now it is available electronically.
Foundation: The International Review of Science Fiction is a critical peer-reviewed literary journal established in 1972 that publishes articles and reviews about science fiction. It is published triannually (spring, summer, and winter) by the Science Fiction Foundation .
Paul Di Filippo (born October 29, 1954) is an American science fiction writer. [2]He is a regular reviewer for print magazines Asimov's Science Fiction, The Magazine of Fantasy & Science Fiction, Science Fiction Eye, The New York Review of Science Fiction, Interzone and Nova Express, as well as online at Science Fiction Weekly.
The Science Fiction Research Association (SFRA), founded in 1970, is the oldest, non-profit professional organization committed to encouraging, facilitating, and rewarding the study of science fiction and fantasy literature, film, and other media. The organization’s international membership includes academically affiliated scholars ...
The magazine publishes articles, reviews, original short fiction, re-reads and commentary on speculative fiction. Unlike traditional print magazines like Asimov's or Analog, it releases online fiction that can be read free of charge. [1] Reactor was founded (as Tor.com) in July 2008 [2] and renamed Reactor on January 23, 2024. [3]
He is a prolific contributor to the New York Review of Science Fiction. Swanwick wrote a monograph on James Branch Cabell, What Can Be Saved From the Wreckage?, which was published in 2007 with a preface by Barry Humphries, [6] and a short literary biography of Hope Mirrlees, Hope-in-the-Mist, which was published in 2009.
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This is a list of science fiction films released in the 2020s. These films include core elements of science fiction, but can cross into other genres. They have been released to a cinema audience by the commercial film industry and are widely distributed with reviews by reputable critics.