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The Tribute Money is a fresco by the Italian Early Renaissance painter Masaccio, located in the Brancacci Chapel of the basilica of Santa Maria del Carmine, Florence. Painted in the 1420s, it is widely considered among Masaccio's best work, and a vital part of the development of Renaissance art. [1] [2]
The Tribute Money, fresco by Masaccio in the Brancacci Chapel. The Brancacci Chapel (in Italian, "Cappella dei Brancacci") is a chapel in the Church of Santa Maria del Carmine in Florence, central Italy. It is sometimes called the "Sistine Chapel of the early Renaissance" [1] for its painting cycle, among the most famous and influential of the ...
Those by mostly Masaccio are The Tribute Money, St Peter Healing with his Shadow, The Crucifixion of St Peter, The Baptism of the Neophytes, and The Expulsion from Paradise. [2] Their treatment of figures in believable space made the frescoes among the most important to have come out of the Early Renaissance.
Masaccio's The Tribute Money in the Brancacci Chapel, Smarthistory [13] The painting is part of a cycle on the life of Saint Peter, and describes a scene from the Gospel of Matthew , in which Jesus directs Peter to find a coin in the mouth of a fish in order to pay the temple tax — The Tribute Money is drawn from the Gospel Matthew 17:24–27 .
Masaccio (UK: / m æ ˈ s æ tʃ i oʊ /, US: / m ə ˈ s ɑː tʃ i oʊ, m ə ˈ z ɑː tʃ (i) oʊ /; [1] [2] [3] Italian: [maˈzattʃo]; December 21, 1401 – summer 1428), born Tommaso di Ser Giovanni di Simone, was a Florentine artist who is regarded as the first great Italian painter of the Quattrocento period of the Italian Renaissance.
The Tribute Money, a 1612–14 painting by Peter Paul Rubens; The Tribute Money, a 1516 painting by Titian; The Tribute Money (Philippe de Champaigne), a c. 1663-1665 painting by Philippe de Champaigne; The Tribute Money, either of two paintings by Giuseppe Bazzani; The Tribute Money, an 1817 painting by George Hayter; The Tribute Money, a ...
The painting of the Brancacci Chapel was left incomplete when Masaccio died at 26 in 1428. The Tribute Money was completed by Masolino while the remainder of the work in the chapel was finished by Filippino Lippi in the 1480s. Masaccio's work became a source of inspiration to many later painters, including Leonardo da Vinci and Michelangelo. [13]
Masolino was later joined by the younger artist Tommaso Cassai, or Masaccio. Masaccio's contributions to the frescoes – including The Tribute Money – are considered the most important, and central to the development of renaissance art. [5] Both artists left before the work was completed, however, in 1427 or 28. [6]