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Ashton fashioned a humorous number from this music for Simone and four ballerinas, at the beginning of which Lise tempts her mother with a pair of clogs, which she cannot resist. She puts them on and whirls into one of Ashton's most celebrated numbers, which also features the dancers using the clogs to perform sur la pointe (on their toes).
Sir Frederick William Mallandaine Ashton (17 September 1904 – 18 August 1988) was a British ballet dancer and choreographer. He also worked as a director and choreographer in opera, film and revue.
2 8-oz packages of cream cheese. 10 Tbsp unsalted butter. 3 Tbsp sour cream. 1 tsp vanilla extract. 2 1/2 cups confectioners sugar. Paddle attachment for blender
Ashton's Cinderella is his own realised dream of a Petipa ballet and the ballet itself enacts the realisation of dreams, notably Cinderella's own. When we first see her she is a demi-caractere dancer dreaming of being a ballerina—that seems to be the balletic point of her solo with the broomstick in the kitchen—and it is as a ballerina that she magically enters the ballroom, stepping en ...
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Troentorp Clogs (formerly known as Båstad Clogs) have gained international recognition, especially during the 1970s when Swedish clogs became a widely popular footwear. The clogs have been made by Troentorp Toffelfabrick (Troentorp Clog Factory) in the same location since 1907 and continue to be produced with the original wood and leather design.
Clogging, buck dancing, or flatfoot dancing [1] is a type of folk dance practiced in the United States, in which the dancer's footwear is used percussively by striking the heel, the toe, or both against a floor or each other to create audible rhythms, usually to the downbeat with the heel keeping the rhythm.
Voices of Spring is a short pas de deux ballet by Sir Frederick Ashton, set to the music of the Frühlingsstimmen waltz by Johann Strauss II.It was originally written to be included as a divertissement in a 1977–78 production of Strauss's operetta Die Fledermaus by the Royal Opera, alongside an adaptation of the Explosions-Polka, and first performed as an independent piece by the Royal ...
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